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Memory Wall: Stories

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There was some contention within our group as to whether such themes frame human life as an object of importance that should be protected and sustained or whether they devalue it completely. Now Roger, a chancer down on his luck, hopes to rummage through Alma's memories by means of a street kid "memory-tapper", who has also had the radical surgery.

Out the window, beyond the crowns of the palms, beyond the city lights, the ocean is washed in moonlight, then shadow. Upon eventually finding the necessary information and witnessing the murder of his thieving chaperone he is left with the means to amass a fortune for himself which he promptly does so by excavating The Gorgon. He has won the Rome Prize, and shared the New York Public Library\'s Young Lions Fiction Award with Jonathan Safran Foer.In "The River Nemunas," a teenage orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. And Doerr uses it to elevate the questions he's grappling with here: what we make of memory, and what it makes of us, the nature of love and longing, of connection, between human beings. You left a part of you with me when you left us to go onto somewhere better, I hope I will make you proud. For months, ever since Harold's death, she had been forgetting things: forgetting to pay Pheko, forgetting to eat breakfast, forgetting what the numbers in her checkbook meant.

The only direction seems to be revealing more about the lives of these people (which is done well) but I keep finding myself asking, "Whats the point?BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us. But Doerr maintains a steady pulse that feels oddly familiar: whether from bedtime stories or something yet older is hard to tell.

The tale’s point of view is mostly that of an aging woman identified only as the seed keeper, who doesn’t want to be relocated. Only through the slow accretion of days can you begin to shape the sounds and shapes of your sentences around the intangible, barely-articulable thing you’re trying to say.

To say much more would be to try to summarize the stories themselves which I really don't want to do. Because this is how it feels to Esther when she sits on her deck in Geneva, Ohio, in the last spring of her life; it feels as if she is being drawn down some path that leads deeper inside, toward a miniature, shrouded, final kingdom that has waited within her all along.

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