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Poster 2001: A Space Odyssey

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Delany, Samuel R. (1968). "A Review of 2001: A Space Odyssey". Archived from the original on 19 August 2011 . Retrieved 5 March 2022. a b c d Trumbull, Douglas (June 1968). "Creating Special Effects for 2001: A Space Odyssey". American Cinematographer. 49 (6): 412–413, 420–422, 416–419, 441–447, 451–454, 459–461. Archived from the original on 13 June 2016 . Retrieved 7 June 2016– via Cinetropolis.

Arthur Clarke's 2001 Diary". visual-memory. Archived from the original on 10 May 2015 . Retrieved 2 July 2015. Sight & Sound Greatest Films Poll 1982". listal.com. Archived from the original on 3 June 2021 . Retrieved 24 February 2021. Cannes Classics to celebrate the 50th anniversary of 2001: A Space Odyssey". Festival de Cannes. 28 March 2018. Archived from the original on 5 April 2018 . Retrieved 8 April 2018. Handy, Bruce (5 April 2018). "Sometimes a Broken Glass Is Just a Broken Glass". The New York Times. Archived from the original on 7 April 2018 . Retrieved 7 July 2018. A Space Odyssey-Products by Arne Jacobsen". Designosophy. 4 October 2007. Archived from the original on 1 May 2011 . Retrieved 25 February 2011.Space World. Palmer Publications, Incorporated. 1988. p.19. Archived from the original on 6 April 2023 . Retrieved 29 March 2023. I don’t think Levy has come to grips with his subject either, but for more interesting reasons, Max, the principal character, is a bitter, failed young poet; disgusted with contemporary society, he decides to commit suicide, but in the most spectacular way possible; he hires an advertising firm to publicise the event. At first we are, I think, meant to sympathise with his total rejection of the corruption amidst which we live; later a kind of bridle is placed on the paranoia, and we are shown that Max is “composed of layer after layer of lies and self-deception,” therefore no doubt a typical product of the society he is rejecting. Gilliatt, Penelope (5 April 1968). "After Man", review of 2001 reprinted from The New Yorker in Agel 1970, pp.209–213. James, Emily St (26 April 2018). "The music of 2001: A Space Odyssey is justifiably famous. The studio hated it". Vox. Archived from the original on 16 May 2023 . Retrieved 16 May 2023. AFI's 100 Years ... 100 Movies" (PDF). afi.com (10th Anniversaryed.). American Film Institute. 16 June 1998. Archived (PDF) from the original on 6 June 2013 . Retrieved 9 October 2019.

AFI's 10 Top 10: Top 10 Sci-Fi". afi.com. American Film Institute. 17 June 2008. Archived from the original on 28 March 2014 . Retrieved 9 October 2019. Bentley, Chris (2008). The Complete Gerry Anderson: The Authorised Episode Guide (4thed.). London: Reynolds and Hearn. ISBN 978-1-905287-74-1. Caicco, Gregory (2007). Architecture, ethics, and the personhood of place. UPNE. p.137. ISBN 978-1-58465-653-1.

These 2001 A Space Odyssey wall arts are perfect for any sci-fi fan! Based on Stanley Kubrick's classic 1968 film of the same name, these stunning pieces show vivid imagery from one of the most influential and iconic films ever made. They feature a variety of posters, scenes and logos in vibrant colors that will bring a unique touch to your home or office. These works of art make great conversation starters--perfect for any generations who enjoy science fiction movies!

Johnson, Adam (2016). 2001 The Lost Science Volume 2. Burlington Canada: Apogee Prime. ISBN 978-1-926837-35-2.

Winners: 1960s". Kansas City Film Critics Circle. 18 December 1968. Archived from the original on 3 May 2012 . Retrieved 16 October 2012. The 41st Academy Awards | 1969". Academy Awards | Academy of Motion Picture Arts and Sciences. 14 April 1969. Archived from the original on 10 September 2016 . Retrieved 30 July 2019. Humanity's first and second encounters with the monolith have visual elements in common; both the apes, and later the astronauts, touch it gingerly with their hands, and both sequences conclude with near-identical images of the Sun appearing directly over it (the first with a crescent moon adjacent to it in the sky, the second with a near-identical crescent Earth in the same position), echoing the Sun–Earth–Moon alignment seen at the very beginning of the film. [201] The second encounter also suggests the triggering of the monolith's radio signal to Jupiter by the presence of humans, echoing the premise of Clarke's source story "The Sentinel". [202] In 2018, Warner Bros. re-released it on Blu-ray and 4K HDR on Ultra HD Blu-ray, based on a 8K scan of the original camera negative and audio remixed and remastered in DTS-HD MA 5.1. [257]Lacey, Liam (11 March 2016). "Colin Low: A gentleman genius of documentary cinema". The Globe and Mail. Archived from the original on 17 March 2016 . Retrieved 15 March 2016. Evans, Gary (1991). In the national interest: a chronicle of the National Film Board of Canada from 1949 to 1989 (Repr.ed.). Toronto: University of Toronto Press. p. 75. ISBN 0-8020-6833-2 . Retrieved 16 August 2016. In the National Interest City of Gold. Pina, Leslie A. (2002). Herman Miller Office. Pennsylvania, United States: Schiffer Publishing. ISBN 978-0-7643-1650-0. x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry.

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