Home (Modern Plays)

Product Information

Produced by side eYe, 'HOME' explores the tensions between sisterhood and self, hope and acceptance in a first-generation Somali family living in London. Well-spoken Jack and dapper Harry, dressed in jackets and ties and carrying a cane and gloves, are clearly men of some status as they meet and make small talk--about the news, the clouds, varieties of chrysanthemums, the possibility that Vale Evesham is the Garden of Eden, and the fact that their wives are not going to be visiting that day. This is a piece that can be viewed over and over and in fact is best to do so to fully appreciate it. You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice.

Kathleen and Marjorie are obviously from a completely different social background from the men, with casual attitudes towards clothing and hygiene, bawdy humor, and a willingness to say absolutely anything. The original production, starring Ralph Richardson, opened at the Theatre Royal, Brighton in February 1950.Penman’s music has a necessary bounce, and though Lockheart’s lyrics may not always be the most memorable, save for Findlay’s solo towards the end which finally relinquishes their angst and crying for help, they are serviceable for the storytelling mechanics of the musical, often offering a light-hearted break-away from the melancholy and weight of the story.

Veteran actors Nathan Lane, Danny Burstein and Zoe Wanamaker do their professional damndest to breathe some life into this inert story about a professional photographer trying to define his own personal identity by interviewing his dad, a retired traveling salesman. Samm-Art Williams’ Tony-nominated 1979 play, seen Sunday, May 14, at the African American Art and Culture Complex, is that rare drama that earns every pang of homesickness, every longing for bygone days, that it sets out to conjure.In 2013, homelessness amongst young people in the UK is at a record high, so when the big society doesn't work ― where do you go?

You can also enjoy early access to new plays that are added every month and exclusive behind-the-scenes content. Women empowerment is very important to me, especially as a muslim as I think its a must that we set the path for the next generation. Cress was resident director at the National Theatre Studio from 2007-2008 and although she has directed classical work nationally and internationally-including for the Globe, RSC and British Council-new writing is her passion. You're invited to join a relaxed conversation about the themes raised by 'On Railton Road', and share your responses to the show.This experienced resident theatre company with over 200 productions to their name ranging from classics to challenging contemporary works, have a loyal and supportive following at this great little theatre. We have the flexibility to create customised play designs to individual briefs and can adapt almost all our products to suit special requirements. Ed wrote and had published his first two novels while serving a three-and-a-half-year prison sentence for drug offences. You’ll also become part of a huge worldwide audience, watching together and sharing your favourite scenes, lines, and breath-taking moments. The drama is intimate and powerfully affecting, and the final scene, accented by silent tears, is unforgettable.