Fujifilm Superia X-TRA 400 36 Exposure Film (Pack of 3)

Product Information

I handed my Fujifilm X-M1 camera to my daughter, Joy, and told her that she could change the settings to whatever she wanted them to be—you might remember that she created the Winter Blue film simulation recipe. She used the camera to capture a bunch of pictures; afterwards, when I reviewed the images, I was very impressed with the look that she created. I asked her why she chose these settings, and she answered that she had hoped to capture some cherry blossoms, and it was initially overcast when she dialed in the settings, and she thought that it might work well for that.

Fujifilm will help you achieve vibrant greens and strong and beautiful blues, and a lot of people love that look. The film is ISO 400 you can take it outside, shoot it indoors, use lighting- take it all over the place! And across a roll you will notice the lovely sharpness and Fuji's famous cool tones. It might be hard to see, but with Portra 400 on the left, the overexposed areas aren’t as ‘blown out’ as they are with the Fuji on the right. Also, the Portra retains a bit more of the shadows than the Fuji does. Basically, whether you can or can’t shoot out-of-date film is determined by a number of different things.

caption width=1024 align=aligncenter] Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera I know what you’re thinking, it’s that meme from the office where she’s like “They’re the same picture” and honestly, there’s very little difference at all. The only thing that I think I can glean from these pictures is that the Superia may have a little more saturation in the magentas (the pink flowers) and possibly a little more green. I guess this is the important question because I think it’s quite complicated, I think Superia has a place (for as long as it’s still around).

Especially during the winter season I practice a lot of night-time photography. During the day, one photograph might take up 1/125th of a second of your time. However, at night, things change drastically. You should have much more time on your hands as a single exposure can easily consume several minutes. Superia 400 is a classic Fuji 35mm film that faithfully reproduces colours and skin tones in low-light while colour-balanced for flash - this is an excellent general use emulsion. Like Natura 1600 , which shares X-Tra’s ridiculous resolution stats, Superia can show chunky, coarse grain in the shadows that dissolves into imperceptible granules in well-exposed areas. Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera Nikon FE – AI-S Nikkor 35mm 1:2.8 – Fujifilm Fujicolor Superia X-Tra 400 @ ASA-400 – Processing By: Burlington Camera In the close-up pictures above, we can see that Superia does have more noticeable grain than Portra 400, but with that being said, I’d still say it’s pretty good.

High Performance Flash Results

What I find interesting is that this recipe isn’t all that much different than Luis Costa’s Classic Negative recipe. I said of Luis’ recipe, “It reminds me a lot of Superia Xtra 400 with a warming filter, or maybe Superia 200 pushed one stop.” Turns out it was pretty darn close to Xtra 400. This recipe by Thomas is even closer! But, of course, with film, so much depends on how it’s shot, developed, and scanned or printed, and the aesthetic can vary significantly. So, really, both recipes mimic Xtra 400, but this one proudly carries the name, as it is a very close match to the film. An all-round general purpose, high-performance, high speed color negative film delivering truly fine-grain. Superb for snapshots or action, in low light with flash, outdoors or indoors. Ideal for general use with compact zoom lens cameras. For the trip, I brought my Leicaflex SL2 in combination with not one but two 35mm lenses (the f/2 Summicron as well as the PC Curtagon shift lens). As I had wisely loaded the film in complete darkness , I was able to obtain 40 frames from the single roll. An impressive number to be reduced to a not-so-much impressive count of 37 useful frames by camera operator error. By the way, my point-and-shoot cameras often get one more frame out of a Fuji than of a Kodak film. To have a little more room for exposure errors, I rated the Fuji Superia at EI 200. The Images – Day-Time Shots In this article, I’m going to talk about my first candidate: Fuji Superia 400. You will read rather subjective impressions based on a single roll, not an in-depth review. Testing Fuji Superia in the Field Olympus OM-1 with F-Zuiko Auto-S 50mm f/1.8 and Fujifilm Superia 400. Over-exposed by about 1 stop. Inverted by hand with no adjustments. Where to buy Fujifilm Superia X-Tra and how much does it cost.