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Take out the equation of hitting the local bar or club scene, where finding suitors for gay dating over 49 begins to dwindle. You’re more mature, you’re sure of what you want, and you stand firm in your values. Now, you’re looking for something serious. You’re looking for the loving partner you deserve. For many of the older men I spoke to, being a daddy was not just about age and sexual and romantic partnerships, but also a sense of responsibility, mentorship and guidance.
It's a tempting skin to slip into—to pretend I'm just some uncultured gay kid. He assumes I am basically devoid of taste. In Swedish filmmaker Levan Akin’s intimate tour-de-force, a young man comes to terms with his sexuality amid the hyper-masculine world of traditional Georgian dance. Framing his gentle coming-of-age tale around such a traditional piece of Georgian culture, Akin has made an inherently political film, rendered in sensitive terms with a celebratory spirit. With distinctive features and a lithe physicality, lead actor Levan Gelbakhiani toggles effortlessly between child-like innocence, explosive anger, and wisdom beyond his years. His riveting performance is indisputably the heart and spine of the film. Because of the sensitive subject matter, Akin and his team had to use guerilla filmmaking tactics to shoot in the conservative country, giving the film a gorgeous cinema verite quality. The film has stoked protests in Tbilisi, where it was shot, proving that queer filmmaking is still a political act. —JD
“Fire”
The process starts with an insightful personality test, allowing us to get an understanding of what you’re looking for and what is important to you. To eliminate time wasters and unsuitable profiles, you will then be sent new matches every day. Using smart matchmaking technology based on psychological research, we take into account your personality traits and preferences, lifestyle, location, and relationship goals. You are sent selected profiles to match your own, giving you a higher chance of compatibility and connection with other men seeking men.
Everyone knows “Portrait of a Lady on Fire,” but Céline Sciamma’s assured screenwriting and directing debut from 2007, “Water Lilies,” established her reputation for intimate portraits of female relationships and sexuality. The title in French means “Birth of the Octopuses,” an evocative name for a tale set during a torrid summer in France where young Marie (Pauline Acquart) yearns to get close to the rebel of the swim team, Floriane, played by “Portrait of a Lady on Fire” star Adèle Haenel. — RL Verhoeven plays up Benedetta’s flair for the dramatic to deliciously provocative ends, giving her religious embraces the same weight as her lustful longings. It’s never clear, to the more practical Bartolomea nor to the audience, just what Benedetta is playing at or how far her convictions go. Efira, who had a supporting role in “Elle,” is sly and seductive as the fanatc martyr, who dances playfully on the edge or narcissism and impassioned piety. Once she survives being burned at the stake, it’s clear even your craziest ex can’t hold a candle (or Virgin Mary dildo) to Benedetta. —JD I expect my initial reaction to be one of righteous, youthful indignation—I've been orphaned, damn it!—but I feel fine. He doesn't know me well enough to strike me where it hurts, which is the kind of wound a real breakup hinges on. It was sure to fail, anyway, this cozy ballet of two people who didn't understand one another's pain. After it's over, I swear to myself that I'll never do anything that weird ever again. Dutch provocateur Paul Verhoeven strikes again, this time with a movie that lands somewhere on that vast Verhoeven spectrum between “Elle” and “Showgirls.” Based on a true story of a Renaissance era nun and mystic, “Benedetta” inspired religious protestors to declare it the “blasphemous lesbian nun movie”— further cementing its must-see status. Both an erotic satire and a scathing critique of Catholicism and patriarchy, “Benedetta” is a political farce with a heaping dose of sex appeal. Discovered by the historian Judith C. Brown in the mid-1980s, Benedetta Carlini (Virginie Efira) was a 17th century mystic who had visions of Christ, claiming he wanted to marry her, and even received the stigmata. She was eventually stripped of her rank and imprisoned due to her sexual relationship with fellow novice Sister Bartolemea (Daphné Patakia). Tim's mother, a housewife, forced herself to get a secretary job to support Tim and his siblings. She is now decaying in a nursing home, steps away from where she raised two children on her own.
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