Noah's Castle - The Complete Series [DVD]

Product Information

This show has also revived the discussion I had with myself recently on here about the two sorts of literature meant for children. Noah's Castle was intended as a young adult novel but to my mind is so incredibly worthy that I certainly wouldn't have wanted to read it myself. I have also commented on here before that in my opinion I don't understand the more harrowing TV shows, which can hardly be described as entertaining. Documentaries are one thing but the more harrowing drama as a rule is something I don't understand. The leading announcing team in the seventies was Brian Nissen and Christopher Robbie with relief announcers including Adrian Edwards, Jane Criddle, Peter Marshall of Thames, Mike Prince of ATV, Bill Flynn, Ian Curry, Christine Webber, Clifford Earl and Verity Martindil. Head of Presentation at Southern during this period was Peter Pritchett-Brown. It took me a long time to get into this book. Barry's father is just so horrible, even before he starts hoarding, that I didn't think I could handle a book full of him. For example: Norman, viendo que se aproximaba una crisis quiso prevenir a tiempo cualquier contratiempo que la familia pudiera tener, y para ello el compro una gigantesca casa en las afueras y se aprovisiono con víveres lo mas que pudo, pero el único en su familia que estaba de acuerdo con ello (o que lo entendía) era Geoff, aunque todos los demás guardaban reservas con respecto a lo que pensaban. Pero Barry sintiéndose cada vez mas presionado, se comenzó a sentir atrapado entre dos sentimientos: seguir leal a su padre o ayudar a los demás pero a la vez estar traicionando a su padre. One of the things I found most interesting about this story was how normal society started to break down in the midst of a crisis. We like to pretend we're civilized, but when threatened, people start to show their true colors. I liked the characters of Cliff and Stuart, who still wanted to do what was right and take care of their fellow man. Very noble. Would I be that noble? I'd like to think so, but I might wind up like Barry's dad and want to take care of my own first.

As a schoolboy, I wrote to the company about its daily opening theme and was told the music specially created for the station was called ‘Southern Rhapsody’ by Richard Addinsell, a composer better known for his famous “Warsaw Concerto” the famous score for the forties war film “Dangerous Moonlight”.

Elsewhere

Southern also provided church services and religious programmes to ITV. One year a live Christmas Morning Carol Service from Winchester Cathedral was set up, but due to a dispute at the company, technicians withdrew their labour and ITV had to screen a pre-recorded Granada programme instead. Many of Southern’s Outside Broadcasts were the responsibility of Stephen Wade. UK readers: If you want to read about life after Brexit, this would be a chilling suggestion. Written in 1975 it tells the story of a country that runs out of food, due to a major economic crisis, and the effects of rampant inflation. One savvy customer, Mr Mortimer, sees it all coming and wisely hoards food for his family - but is it right to look after ones own when those all around are in such desperate need? Southern also had a small studio in Dover and a separate opt-out programme ‘Scene South East’ was created for viewers in Kent, initially shown in the ‘Day by Day’ slot on Wednesdays and Fridays only.

It was you who insisted on doing it," Mother said. ... "I sometimes wonder what I'm for. Just cooking and cleaning, I suppose. I might as well be a servant." No matter what I thought of the father though I wasn't prepared for how I would feel about the rest of the family. The most likable was the wife/mother, but even there I found her to be weak and boring. She didn't make that much of an impression on me and in the end I didn't care either way. What really got my goat were the children. There are 4 of them and while I didn't like any of them, I'm going to focus on Barry and the oldest sister, Nessie. Nessie thinks everything her father is doing is wrong, she finds is abhorrent that her father thought ahead and hoarded food for his family when other people are doing without. She would rather sparse out her families supplies to everyone else in the country instead of making sure her family was taken care of. She even moves out of the house because she is so disgusted by her father's actions. That pervasive strain of dour dystopian fiction that ran throughout 70s British television once again found its way into children’s television with this startling vision of a near future where society is on the very edge of imminent collapse. Broadcast on ITV over seven weeks between 2 April and 14 May 1980, it was a rare excursion into the realms of dystopian fiction for Southern Television, a prolific provider of children’s television but whose typical programming was the likes of the science fiction inflected action series Freewheelers (1968-1973), Enid Blyton adaptation The Famous Five (1978-1979), long-running science programme How (1966-1981) and the comic misadventures of the lovable eponymous scarecrow in Worzel Gummidge (1979-1981). In many ways NOAH'S CASTLE is a precursor of ITV's QUATERMASS production that was made at round about the same time and in many ways mirrors the early chapters of John Christopher's doom laden The Death Of Grass , though this is probably coincidence since there's only so many ways you can write this type of scenario . Hyper inflation is destroying Britain's economy and the scenario is far worse than that seen in 1930s Germany because no one can afford much in the way of food and the population are on the verge of starvation . This is a possible flaw with the central plot since it's never explained why a country crippled by hyper inflation would be on the brink of starvation . Surely the rich would be able to afford food ? but for some strange reason butchers and bakeries are empty while shoe shops still remain open for business Sung in their original German, Italian or Latin with English subtitles provided by Gillian Widdecombe, these were screened for up to three hours on ITV at mid week peak time a couple of times a year.

Transdiffusion

The presentation and ITV company symbols dominated sufficiently to make me notice that when I was away on holiday there were other logos less familiar to me, and programmes of a more regional flavour than Associated-Rediffusion and ATV London appeared to need. Another Christmas has been and gone and I have once more resisted writing about Too Many Christmas Trees. I am sure I will write about it at some point, I'm just rather wary of not doing it justice - although I suppose I can always return to it in the future. Instead I'm going to write about Noah's Castle, although I'm not sure I can do that justice either. I learned that Southern was different in make-up to the other ITV companies in that it was wholly owned by three other organisations, based on having a part share each.

A crowd of more than 250,000 people had gathered to congratulate the Portsmouth greengrocer on his 28,500-mile solo trip around the globe. Southern cameras on board its own boat were at the scene to relay pictures of the end of the sailor’s historic journey, for which he was later knighted. Pictures were screened in a special networked programme. These programmes earned the ITV network much credit with both critics and regulators alike and audience figures were surprisingly high – though they always dwindled as the programme proceeded!The short life and tragic death of Simon Gipps-Kent has made him and this mini-series something of a cult item. Before this I was familiar with Gipps-Kent through him playing Pip in Great Expectations and a Doctor Who story from the Tom Baker years. What a sad end for him in 1986 at a young age.

In the manner of the time Noah's Castle alternates between location and rather-obviously location-bound filming. Pacing is of the time. Some actors are familiar faces from other shows - I know that nobody else seems to share my dislike of this and of course I'm being my usual contradictory self by starting this blog post about a familiar face. The show is well known for its haunting theme tune and incidental music. Si estas buscando algún libro con lenguaje rebuscado, uno que tenga mas de 500 paginas, estas preocupado por la economía o tu país esta en crisis; de verdad no te lo recomiendo que lo leas. Pero si en cambio estas buscando una lectura rápida y simple, o simplemente eres un lector primerizo te recomendaría que leyeras este libro. Why isn't anyone allowed to visit the Mortimers' new home? What is Father doing in the cellar and why is he keeping it a secret?Yet perhaps I do, as a result of watching Noah's Castle. I have realised that I have been considering these shows anachronistically, without considering the eyes of the time. Surely reading Noah's Castle in the 1970s would have resulted in further activism and - surely - a relief that even though the world was in a mess it still wasn't as bad as it is shown in Noah's Castle. I suppose Noah's Castle therefore really comes out of the same stable as the 1970s series Survivors - they are both chronicles of what could happen, both alerting current fears and also providing a reassurance that we are not there yet. One of Southern’s pioneering programmes for women was ‘Houseparty’. It was one of few specialist magazines for women around at the time. Thames liked it and made a special programme swapping arrangement. Thames would provide Southern with its daily ‘Tea Break’ show with Michael and Mary Parkinson in return for Southern relaying Houseparty to Thames. This swap ran for some time. Alright if you have any intention of reading this book, at anytime, please don't continue to read the review. There is no way I can fully get my feelings about this book across without "spoiling" the plot line for you. So with that being said, on with the show.