Hellraiser Trilogy [Blu-ray]

Product Information

But the return of Barker to being a much more active participant in the fourth film, Hellraiser: Bloodline, promised much…an anthology structure across multiple timelines to explore the origins of the box (now wonderfully known as The Lament Configuration). Yet its strangled production and sadly typical studio interference gutted a lot of what could have been, leaving an interesting but hugely flawed curio that remains to this day the last Hellraiser film to see the inside of a cinema… The original 2.0 and 5.1 stereo mixes for Hellraiser were transferred and mixed from the original magnetic reels at Deluxe Media/Audio instances of dirt, debris and light scratched were removed through a combination of digital restoration tools. Overall image stability was also

the more "normal" palette sequences fairly burst at time, especially with regard to primaries, including the all important reds. That said, some of the the aforementioned Scarlet Box only offered the original triptych), as well as at least some new supplements augmenting previously Here presented in brand new 2k restorations, Arrow Films is proud to present the first three instalments in one of the most fiercely original horror franchises of all time. Being Frank: Sean Chapman on Hellraiser – actor Sean Chapman talks candidly about playing the character of Frank Cotton in Barker's originalsomething of a slightly washed out look to it, but the palette looks good in context, whether accurate flesh tones, bright blood red, or the earthen

Interpositive elements for Hellbound; Hellraiser II and Hellraiser III: Hell on Earth were scanned in 2K resolution at Fotokem Film probably continues to populate various nightmares (and it's interesting to note that subsequent remakes of the film seemed to realize they couldn'tThe 2K scans delivered by Lakeshore Entertainment were fully graded on a Baselight grading system at Deluxe Restoration, London. Thousands of Unboxing Hellraiser * (HD; 21:53) is a fun piece by Alexandra Benedict focusing on a "different" kind of unboxing. Being Frank: Sean Chapman on Hellraiser - in this archival featurette, Sean Chapman (Frank) discusses his contribution to Hellraiser and Clive Barker's vision and working methods. The featurette was produced by Nucleus Films. In English, not subtitled. (27 min).

Leviathan: The Story of Hellbound: Hellraiser II – brand new version of the definitive documentary on the making of Hellbound, featuring interviews with key cast and crew members Brand new and exclusive 4K restorations of Hellraiser, Hellbound: Hellraiser II, Hellraiser III: Hell on Earth and Hellraiser: Bloodline by Arrow Films from the original camera negatives Note: I've tried my best to identify supplements new to this edition with an asterisk (*), but with so much to go through and the added Newly uncovered workprint version of the film, providing a fascinating insight into how it changed during post production Original EPK - this short piece features some raw footage from the shooting of Hellraiser and comments from director/writer Clive Barker, special effects designer Bob Keen, and actors Claire Higgins, Andrew Robinson, and Ashley Laurence. In English, not subtitled. (6 min).by the increased resolution and HDR, and so this may be another case where some fans may actually prefer Arrow's 1080 version to this one. My score Hellraiser is presented in 4K UHD courtesy of Arrow Video with an HVEC / H. 265 encoded 2160p transfer in 1.85:1. Arrow provides the same Bloodline’s workprint isn’t the mythical first cut of Kevin Yagher unfortunately and doesn’t really do that much different from the theatrical cut (running the same duration almost) but it’s a really nice get for the set. And whilst not listened to in their entirety, the new commentaries with Newman and Jones appear to be a really fun listen that lets them both bring a wealth of horror history and experience to the fore, again giving a great new perspective on the films and their supplements. compression issues, and the like are mostly non-factors. The most noticeable area of separation between the Image and Anchor Bay releases is clearly