Joined in 2023 
82 
63 About this deal
The effect permeates the already warm tone, rather than seeming to lay atop it, as is the case with many onboard chorus effects. The onboard chorus effect is variable, meaning you can control the response frequency with a simple turn of one knob.
The amp itself is physically one of the smallest acoustic models on the market. At just 10.5lb, it’s extremely light weight, making it incredibly portable – great news if you plan to take it with you to a performance. As to which is the best practice amp for acoustic guitarists, I would have to give the nod to Acoustasonic. I’ve always been a Fender guy in the interest of full disclosure, but I believe that even in a blind comparison, I’d have chosen so. watts just isn’t very loud for anything other than bedroom guitarists or buskers. Anything else will require additional amplification.
Features - Fender Acoustasonic 15
The first thing you will notice about the Fender Acoustasonic 15 is that it is a small and lightweight amplifier, that makes it perfect for guitarists on the road. Many amp manufacturers have tried and failed when trying to find the balance between size and power, but the 15-watts of power for an amplifier of this size looks pretty good actually. It is a solid-state a small amp with a 6-inch Special Design full-range speaker with a Whizzer cone, that is proven to deliver an enhanced high-frequency response. Sounds nice for starters and this raised my hopes for this amp. German acoustic amp titan AER manufactures a suite of incredible acoustic amps but for our money, and for the professional’s money, it’s the AER Compact 60 MkIV that takes the cake. It will bring out the best in your acoustic, delivering its tone amplified, untampered, and with all the mod-cons you need in a pro-quality two-channel acoustic amp. For the gigging guitarist and studio pro alike, this is the one. Used by the likes of Tommy Emmanuel, its small and portable but can fill a room.
Amps such as the Marshall AS50D have a notch filter and a frequency sweep control to really give you control over it. Others will have phase switches, on/off buttons that cut some of the low-end frequencies that can cause mischief. What we really like about the Acoustasonic 15, other than everything we’ve already mentioned, is that it doesn’t over complicated things. It’s not priced excessively, and rightly so considering that what’s on offer is as straightforward and uncomplicated as it needs to be. Fender could’ve gone overboard with effects and added channels to try and appeal to everyone, but they haven’t, and its very refreshing. So which one of them is better? Well, if you’re frequently gigging, you should choose the 40-Watt version. It’s just better for live performances. But if you’re looking for a small combo to practice at home, choose the 15-Watt model!
Click & Collect
For more effective high-frequency response, the Acoustasonic 15 bears the unusual distinction of being the only Fender guitar amp to use a "whizzer" cone—a small supplementary speaker cone attached to the voice coil of the amps 6" speaker. If you don’t like the sound of Fender Acoustasonic 15, don’t worry! There’s a few other great acoustic amp out there too. Still, it all depends on what you’re looking for and how much are you willing to spend.
I have to admit; I wasn’t expecting the Acoustasonic 15 amp to sound anywhere near as good as it does. It’s made by Fender, so I expected quality, but wow! The tones produced are warm and rich, with none of the tinny overtones we’ve come to expect from portable mini-amps.The manual to Fender Acoustasonic 15 can be found here. Where can I find more information about Fender amps? With two channels (a 1/4″ instrument channel for acoustic or acoustic-electric guitar, ukulele, mandolin, etc., and another XLR input for a microphone), a three-channel equalizer, and an onboard chorus effect, the Acoustasonic 15 would seem the perfect acoustic guitar amp for the traveling musician. Alright, you’ve heard us drone on about just how special of a small amp this is. But, let’s face it, you need to hear what it actually sounds like in action, Feast your ears on the below: There were 2 channels, one for a guitar input, and another XLR input for a microphone. Each input had its own individual volume control, which really gave the useability of this amp a boost. Overall, since it’s a pretty affordable amp, there’s not much to complain about. It’s not super loud, but it’s a great combo for the money. I honestly think that it’d be really difficult to find something better at this price level. Fender Acoustasonic 15 vs Fender Acoustasonic 40
Great Deal 
New Comment