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vestiges of artificiality remain (this seems to be a deliberate choice, as in the patently fake look of the closing sting featuring Donnie Yen). As is A Shot In The Dark: A six-minute look at how the film leaned so heavily on night shoots and how the crew adapted to this nocturnal mode. The combination of lightning and thunder at 57 minutes is one of the best surround moments of the film, hitting low frequencies and high dynamics simultaneously. A Shot in the Dark (HD, 6 Mins.) - Nighttime is a big factor in this film where the crew talks about the challenges of lighting the darkness for the camera. the more than slightly byzantine environment of The High Table. There are some interesting evolutions to the "look" of this film, with less of a
The color grading of JW4 tends to lean on the warm side especially when lit by interior tungsten (warm) lighting and golden hour natural light that flows through open windows. Color is rich and sharp in the dramatically-lit imagery from Cinematographer Dan Laustsen.
Film Review
Killing At The Speed of Traffic (HD, 10 Mins.) - This examines how that big fight scene in traffic was filmed and executed. the bat with some thundering effects as John pummels his training device. The cavernous sounds of the Bowery King's domain offer some clear Blu-ray Audio: English DolbyAtmos, English Descriptive Audio, Spanish 5.1 Dolby Audio, French 5.1 Dolby Audio Even some devoted film fans might be hard pressed to name another franchise successful enough to get to its fourth production and which Flesh Tones: Skin tones are natural and consistent throughout (give or take strong usage of filters). Facial features and textures are clear as day from any given distance in the frame.
also managed to at least briefly reintroduce The Bowery King (Laurence Fishburne), who in fact is the "culprit" with the match, leading to In Honor of the Dead (HD, 5:23) – In this one, Chad Stahelski shares the influential films he homages throughout the fourth film. sequences, but both an extended, unedited "shot from above" vignette and a fantastically exciting car chase around the Arc de Triomph provide some Killing at the Speed of Traffic (HD, 10:10) – This is a special behind the scenes look at the circle car, vehicular mayhem sequence in the finale of the film. Low Frequency Extension: The subwoofer hits in all kinds of degrees with precise impact on horse clip clopping, explosions, punches, gunshots, stabbing, glass shattering, doors slamming and more.
Video Review
There are a number of things that I'd argue have played into the overwhelming appeal of this series, with two of them being kind of ironically first baseline simplicity of any "plot arc" (let's face it, all the films can be boiled down to John taking out foes), but second an almost baroque level of
Arabia, and which is played (and/or edited) here as a kind of deliberately winking "in joke". But even this brief moment engagement of surround channels, and then when things suddenly segue to the desert, the ambient environmental sounds once again grow. There areOne Killer Shot (HD, 3 Mins.) - Here is a funny and great look at how one of the big action beats was made.
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