The Night Always Comes

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Through the long night in search of money, Lynette meets many people who might seem helpful at first but tend to give in to greed and turn against her. While the epigraph of the book quotes a failed politician, I’d prefer to not dignify him with a nod and instead quote Daniel Craig’s nameless character in Layer Cake: ‘ But never get too greedy.’ Lynette’s actions feel justifiable to some extent, particularly as much of the money was owed her or she is acting in response to violence against her, whereas the other characters seem to act out of greed. Like a spaghetti-western film, those who violate justified morals or break their convictions tend to get their come-uppin’s, and fast. the story is tight cutting perfection, and it keeps the reader very close; i felt lynette's exhaustion and frustration deep in my bones, and the smallness of her asks—that debts be repaid, that promises be kept, that hard work and sacrifice count for something—was heartbreakingly real. Author Vlautin is interviewed on the book's release by the Poisoned Pen bookstore YouTube channel here.

Sometimes all you can do in life is have another bowl of ice cream. Sometimes that’s the only move you can make to keep yourself from going completely nuts.’ Audiobook version and it was excellent. Christine Larkin was the narrator and she was very talented and a good choice for this story! Great job Christine. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism.Between looking after her brother, working two low-paid jobs, and trying to take part-time college classes, Lynette is dangerously tired. Every penny she's earned for years, she's put into savings, trying to scrape together enough to take out a mortgage on the house she rents with her mother. Finally becoming a homeowner in their rapidly gentrifying Portland neighbourhood could offer Lynette the kind of freedoms she's never had. But, when the plan is derailed, Lynette must embark on a desperate odyssey of hope and anguish. And are they victims? In a way. In that they are all victims of being losers in the American dream who see no other option but screwing anybody and everybody however they can to (in their eyes) even the scales with fate. Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South. Despite my frustrations, this is an exceptional and gripping read. The author's anger at watching his city shit on the vulnerable is palpable, and for this Northwest resident who has witnessed both her former home of Seattle and its beloved kid sister, Portland, become insufferably sanctimonious, impossibly expensive, and unrecognizably gentrified, it's sadly real. This book surprised me, mostly in a bad way. I'm a big fan of Willy Vlautin's novels. I love his unflinching look at the underbelly of the USA. His protagonists always have been dealt a hard hand, and his writing style is clear, sparse and concise. To a degree, all of this is true for "The Night Always Comes" too, but something's missing.

Set over two days and two nights, The Night Always Comes follows Lynette's frantic search—an odyssey of hope and anguish that will bring her face to face with greedy rich men and ambitious hustlers, those benefiting and those left behind by a city in the throes of a transformative boom. As her desperation builds and her pleas for help go unanswered, Lynette makes a dangerous choice that sets her on a precarious, frenzied spiral. In trying to save her family's future, she is plunged into the darkness of her past, and forced to confront the reality of her life. The main issue with a Willy Vlautin novel is that it has to end. Here is another phenomenal book that unnerves, disquiets and makes you wince as his prose stabs at you violently with unhinged fervour. Published in the US, several European and Asian countries, Vlautin's first book, The Motel Life was well received. It was an editor's choice in the New York Times Book Review and named one of the top 25 books of the year by the Washington Post.You could say this is a novel about housing affordability in Portland, a story of economic disparity and the graft required to eke out a living. But that might be to sell this story short, it is also a propulsive, noir-ish tale, with some truly memorable characters. It made me want to go out and immerse myself in everything Willy Vlautin has written. But when Lynette’s mother reneges on the deal, that dream disappears in an instant. Lynette spirals, and most of the novel takes place over a single night as she tears feverishly through Portland, chasing down any lead that might result in some extra cash that could right the situation. Most of the people Lynette meets on this tragic, desperate night do not react kindly, and as the evening turns violent the exhaustion and isolation of her poverty ring clear as day. In common though with Vlautin's other work, this is a story about working class people. But whereas other writers may focus on a courageous warm-hearted protagonist who just needs a chance to shine, or a troubled person whose morals have been worn away through unfortunate circumstances, Vlautin uses a different and refreshing approach. As the novel opens, Lynette the protagonist, who lives with her mother and developmentally disabled adult brother, is cobbling together savings and debts, in an effort to buy the house they currently rent, for a little less than market value. A week away from closing the deal, her mother announces she doesn't want to buy at all. What may seem a mundane premise, comes alive as Lynette sets out to rectify the situation, swanning around the city over a weekend looking for money.