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This much awaited picture book was really disappointing, I love this illustrator and was expecting another 5 star read. Maybe there was something wrong with my copy but the images were so dark you couldn't make out what they were unless you read directly under a very bright light. It's disappointing it's so dark, you can't read this by candlelight or firelight, it's too dark to read by a bedside light which is probably where most people will be reading or attempting to read this one. Even the cover was much darker than the image here on Goodreads and you could barely make out what it was. This piece of poem that Moore wrote for his children Margaret, Charity and Mary influenced the physical appearance and the jolly bright personality of St. Nicholas in American popular culture pretty soon.
Our daughter and I had not read this together since she was very little but she could still recite some passages as I read. At age 12, near 13, she thinks that she is too old and mature for many "childish" things, but not for this classic beloved Christmas poem. One sign of her growing maturity is that she was also interested in my telling her facts about Dr. Clement Moore from the very good introduction to this free Kindle edition. Unfortunately, as usual, there were no illustrations in this edition. We can all agree that the poet’s depiction of Saint Nicholas is vivid, with immediate sensory appeal and compelling characterization: Here, we see elements of the modern Santa Claus archetype taking shape. He is jolly, benevolent, slightly mischievous – as suits someone who commits countless acts of breaking-and-entering each year, but breaks into homes to give gifts rather than taking things away. All one needs to do is take away the details about Saint Nicholas smoking a pipe – something that would not pass muster with modern sensibilities.So it was Moore who started this idea of children to believe in Santa Claus. Did he do us a favor? Or is it high time that we stop this crap altogether?
Jessie Willcox Smith was definitely influenced by French impressionist painters in her choice of colors and was equally proficient in working with a whole range of media like oil, watercolor, charcoal and pastels. A large percentage of her works reflects motherly love with children being portrayed as the main subjects. She passed away in 1935. Moore’s template for the Santa that he drew through his poetry soon replaced the centuries old characteristic depictions of St. Nicholas of Europe. The poem also influenced the ideas of Christmas Eve gifting and is believed to have popularized the concept of Santa visiting homes on Christmas Eve bearing gifts in America. Clement C. Moore, who wrote the poem, never expected that he would be remembered by it. If he expected to be famous at all as a writer, he thought it would be because of the Hebrew Dictionary that he wrote. He was born in a house near Chelsea Square, New York City, in 1781; and he lived there all his life. It was a great big house, with fireplaces in it; -- just the house to be living in on Christmas Eve.
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The poetry was soon reprinted in many newspapers and magazines and was also adapted for many musical renderings. The speaker of the poem hears the hoof-prints of reindeer “prancing and pawing” on his roof; and then, just as he’s closing his window, “Down the chimney Saint Nicholas came with a bound!” The poem takes on particular interest for the modern viewer here, as the speaker gets his first clear look at a Saint Nicholas who appears quite different from the Santa Claus of today:
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