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Dennis Potter was born in Berry Hill, Forest of Dean, Gloucestershire. His father, Walter Edward Potter (1906–1975), [2] was a coal miner in this rural mining area between Gloucester and Wales; his mother was Margaret Constance (née Wale; 1910–2001). Potter had a sister named June. [3] [ failed verification]

Occupying Powers" (PDF). MacTaggart Lecture, Edinburgh International Television Festival. 28 August 1993 . Retrieved 22 October 2016. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( July 2018) ( Learn how and when to remove this template message) In 1961, while covering a meeting of the Young Conservatives, Potter was suddenly unable to rise from the press table and his knee felt hot. He was taken to a hospital, where his other joints blew up, also, and his skin scalded off his body overnight. Potter was diagnosed with psoriatic arthropathy. [49]The Singing Detective (1986), featuring Michael Gambon, used the dramatist's own problems with the skin disease psoriasis, for Potter an often debilitating condition leading to hospital admission, as a means to merge the lead character's imagination with his perception of reality. The unseen narrator—the voice that critiques even itself—is Potter's, uncredited in the role but inherent, more than a passive element in his own fairytale playground. The shifting voyeuristic and intimate commentaries are by turns enlightening and disturbing, but always controversial.

urn:oclc:754509487 Scandate 20100227004343 Scanner scribe12.sfdowntown.archive.org Scanningcenter sfdowntown Worldcat (source edition) Potter's screenplay for Gorky Park (1983) led to his gaining an Edgar Award from the Mystery Writers of America, although it emerged as a shadow of Martin Cruz Smith's original novel. Potter's most highly regarded works from this period were the semi-autobiographical plays Stand Up, Nigel Barton! and Vote, Vote, Vote for Nigel Barton, which featured Keith Barron. The former recounts the experience of a miner's son attending Oxford University where he finds himself torn between two worlds, culminating in Barton's participation in a television documentary. This mirrored Potter's participation in Does Class Matter (1958), a television documentary made while Potter was an Oxford undergraduate. [16] The second play features the same character standing as a Labour candidate—his disillusionment with the compromises of electoral politics is based on Potter's own experience. [17] Both plays received praise from critics but aroused considerable tension at the BBC for their potentially incendiary critique of party politics. [17] In his James MacTaggart Memorial Lecture in 1993, Potter recalled how he was asked by "several respected men at the corporation why I wanted to shit on the Queen." [18] First film screenplays [ edit ] Bennett, Alan (21 January 1999). "What I did in 1998". London Review of Books. 21 (2) . Retrieved 10 October 2020.

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Potter stood as the Labour Party candidate for Hertfordshire East, a safe Conservative Party seat, in the 1964 general election against the incumbent Derek Walker-Smith. By the end of the unsuccessful campaign, he claimed that he was so disillusioned with party politics he did not even vote for himself. Potter now embarked on work as a television playwright. He had begun to suffer in 1962 from a condition known as psoriatic arthropathy causing arthritis to develop in his joints as well as affecting his skin with psoriasis. It also made futile any attempt to follow a conventional career path. Dennis Christopher George Potter (17 May 1935– 7 June 1994) was an English television dramatist, screenwriter and journalist. He is best known for his BBC television serials Pennies from Heaven (1978) and The Singing Detective (1986) as well as the BBC television plays Blue Remembered Hills (1979) and Brimstone and Treacle (1976). [1] His television dramas mixed fantasy and reality, the personal and the social, and often used themes and images from popular culture. Potter is widely regarded as one of the most influential and innovative dramatists to have worked in British television. The most prolific yet also most controversial of television playwrights, he remains the undisputed figurehead of that peculiarly British phenomenon of writers who make it their passion to show that television can be just as powerful a vehicle for artistic expression as cinema or theatre.

Potter also directed the four episodes and provided the copious narration in his unmistakable West Country burr.

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He soon returned to television. Daily Herald journalist David Nathan persuaded Potter to collaborate with him on sketches for That Was the Week That Was. Their first piece was used in the edition of 5 January 1963. [9] Mark Frost Interview ‹Little White Lies – Independent Film Magazine". 30 April 2010. Archived from the original on 30 April 2010 . Retrieved 26 September 2017. {{ cite web}}: CS1 maint: bot: original URL status unknown ( link) There are some dated bits of satire on 'youth speak' that seems to come from a decade or two before the story, and the emotionless sex with multiple partners seems very pre-Aids though the novel was published in 1987.

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