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William Roache: The fact there isn’t a tight community on the Street today reflects the fact you don’t get streets like that any more. Sally Ann Matthews: In the 80s we were all friends and had all the time in the world. Now there are characters you just never see if your days don’t coincide. Antony Cotton: When Sean burst on to the street there wasn’t a character like him. People said it was a stereotype, like John Inman in Are You Being Served?. But for me he wasn’t a stereotype – he was an archetype that a lot of people hadn’t seen. He passed the card to Tony Warren at a long-term story conference. He said: ‘What do you think of having this gay character?’ And Warren – and I’m not making this up – said: ‘Well, if we do there’s only one queen I want to play him and it’s Antony Cotton.” Then he opened the card. He’d seen me in Queer as Folk.

John Finch (writer then producer 1961-1970): The key to everything was Tony Warren’s characters. Nobody, including myself, ever matched his characterisation. But I think he soon got tired and faded away when other writers took over his characters. I think it hurt him. It's been almost 70 years since the UK and Commonwealth have seen the crowning of a monarch, so King Charles III's coronation ceremony on Saturday 6 May is set to be a much anticipated and celebrated event. There's a bank holiday weekend planned to celebrate the King taking the throne and we can expect it to be a once-in-a-generation event.Warren, who at first had a strained relationship with Granada, also struggled with drink and drugs. He would often run away, spending some time in a commune in San Francisco. He returned to the Street in the 1980s as a consultant and beloved oracle. He sat in on storyline meetings until not long before his death in 2016, aged 79. Coronation Street celebrated its 50th anniversary in 2010 with a live episode featuring a devastating tram crash. The pandemic has forced a return to the show’s more modest origins, without parties or big stunts. Existing storylines will instead come to a head, including Yasmeen Metcalfe’s trial for attempted murder . Bill Roache will also star in tonight’s pre-recorded anniversary episode, which he plans to watch at home with his children. William Roache (Ken Barlow 1960-present): I absolutely didn’t want to do it. I’d grown up in Derbyshire, but I was a young actor on stage in London. I had a flat in Primrose Hill and my career was about to take off. And in those days ITV was broken up into regions so it was like doing local radio. My agent said: “Look at this way, it’s only going to run for a few weeks.”

Philip Lowrie: We all became very good friends. I remember Margot Bryant [who played Minnie Caldwell] sitting in the rehearsal rooms doing a bit of knitting. She had a mouth on her – she was one of the rudest women and could tell a story like nobody. Her sister Joan had danced with Fred Astaire. My happiest memory was the first day when through the double doors came the most beautiful girl I think I ever saw. It was Anne, who played my sister Linda. Helen Worth (Gail Platt 1974-present) : It was a time of change. When I joined, the greats were all there and it was still practically broadcast live. I remember sitting in Violet Carson’s [who played Ena Sharples] chair and she came into the room and just took one look at me and I scampered out of it.Abbott, who declines to name the leak, was a wide-eyed 24-year-old when he got a script-editing job on the Street, years before he created Touching Evil, State of Play and Shameless. Nigel Havers (Lewis Archer 2009-2019) : Snobbery has always been there, but I think the key to Corrie’s magic is that it has irony and that great sense of humour. It’s never afraid to send itself up, but treats its audience as grownups. In my career, it’s right up there with Chariots of Fire and the National Theatre. Antony Cotton: I used to have lunch once a month with Tony at the Midland hotel and he’d tell me about these amazing women he’d written for and who they were based on. And there were the old battle axes he’d grown up with, but a lot of it was the men who’d been on the scene in the 50s and 60s.