Songs of Percy French

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It is sad to think that although he is remembered and celebrated worldwide for his most famous song, ‘The Mountains of Mourne’, this one fact, is all that some people know about Percy French. It is appropriate to describe him as a great songwriter but that description only serves to scratch the surface of his genius. ‘The Mountains of Mourne,’ set to the traditional air, ‘Carrigdhoun’, has been recorded the world over by artists as diverse as Don McClean and Daniel O’Donnell. There is a Dixieland trombone version by Chris Barber, featuring Ottolie Patterson and there is even an ‘acapella’ version currently available on YouTube sung by a group called Wall Street Crash. At those twelve times twenty 'tables we will never look again, In the lazy time that's coming later on; French graduated from TCD first being conferred with a BA degree in 1885 as a civil engineer in 1880 and after a stint as an apprentice engineer on the Midlands Railway with fellow entertainer Charles Mansergh (later Charles Manners of the Moody-Manners Opera Company) French joined the Board of Works in County Cavan as an Inspector of Drains in 1883. While in Trinity French won five out of six watercolour prizes and he became a member of the Dublin Sketching Club in 1876. It is said that he wrote his best songs during his Cavan period. He also painted copiously and established a sketching club and a comic troupe The Kinnepottle Komics in Cavan. During this period, he considered art to be his true vocation. In fact, when he became well-known later in his life, his paintings from his time as a civil engineer became fashionable and sought after. The volcano Krakatoa erupted in 1883 while French was in Cavan, and the particles of volcanic ash caused dramatic sunsets all over the world. French painted some of his finest landscapes in this period as he captured the spectacular skies. French exhibited his pictures in the Royal Hibernian Academy (RHA) and sometimes gave them short lyrical poems for titles, such as "Only the sullen seas that flow/ And ebb forever more,/ But tarry awhile sad heart and, lo!/ A light on that lonely shore". The Emigrant's Letter (Cutting the Corn in Creeslough)". WeLoveDonegal.com . Retrieved 22 December 2012. We'll cross the ditch," our leader cried, "an' take the foe in flank," But yells of consthernation here arose from every rank,

And when we'd loaded all our pipes, bould Shlathery up and said, "To-day's immortal fight will be remembered by the dead !We'll forget the foolish fables that were written by Fontaine, In the pleasant time that's coming later on; Singer Ottilie Patterson recorded it in December 1959 with Chris Barber's Jazz Band on the EP "Ottilie Swings the Irish"

When The Jarvey failed, French's long and successful career as a songwriter and entertainer began. He had lived by the canal in Dublin at 35 Mespil Road before going to London in 1890. He famously wrote to his friends when he moved there: "We have come to live by the canal, do drop in". A granite seat was erected in 1988 on the canal near his home, dedicated to French. It was sponsored by the Oriel Gallery and bears another witticism of French's: "Remember me is all I ask, / And if that memory proves a task, forget".It is important to mention a song by French forgotten today called "The Fortunes of Finnegan" because when I was writing my book "Sounds of Manymirth" on French’s influence on James Joyce, I discovered that "The Fortunes of Finnegan" is the second most references of French’s songs in "Finnegans Wake" and is entirely thematic because it is a very amusing song about an indestructible giant - Finnegan who survives a series of mishaps; being bitten by a cat but the cat gets paralyzed not Finnegan, then he was hit by a motor car and the car came out the worst in the incident and the invincible Finnegan presumed dead, was found under the bonnet fixing it. He was also the man who succeeded in politics and who won the hand of ‘beautiful Mary Flynn’ because disregarding the matter of a dowry which made all other suitors cautious, Finnegan was ready to wed her ‘in the clothes she’s standin’ in.’ As well as mounting several solo exhibitions of French's paintings he published several catalogues of French's watercolours. French's daughters, Joan and Ettie were regular visitors to the Oriel Gallery from the early 1970s and the gallery possesses their letters to Oliver. Peter Ustinov opened the 1986 French exhibition in the Oriel to a thronged audience. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. French was born at Clooneyquinn House, [1] near Tulsk, County Roscommon, the son of an Anglo-Irish landlord, Christopher French, and Susan Emma French (née Percy). He was the third of nine children. His younger sister, Emily later Emily de Burg Daly was also a writer. [2] Nulty had been a collector for years before opening a gallery but he had a particularly fondness for French as his parents had met French in London in 1913 when they attended one of his matinees and met him afterwards. Nulty noticed that Irish visual art was neglected. He once witnessed that a George Russel had only been sold when a coal scuttle was thrown into the lot which sold for 2/6.