Red Rose, White Rose

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Ellen used nearly all of her dead husband's fortune to continually add to the home over the next several decades, enlarging it significantly. The mysterious disappearances continued to occur: a famous actress and dear friend of Ellen's, Deanna Petrie, vanished in the house's billiard room during a party in the 1940s. By the 1950s, both Ellen Rimbauer and Sukeena had disappeared in Rose Red. In 2000, two years before the Rose Red miniseries aired, the producers contracted with author Ridley Pearson to write a tie-in novel, to be titled The Diary of Ellen Rimbauer: My Life at Rose Red, under the pseudonym "Dr. Joyce Reardon" (one of the main characters of the miniseries). [2] The novel presented itself as nonfiction, and claimed to be the actual diary of Ellen Rimbauer (wife of the builder of Rose Red). The work was originally intended to be an architectural book featuring photos and drawings of the fictional Rose Red house with the supernatural elements subtly woven into the text and photos, but Pearson (building on several references to a diary in King's script for the miniseries) wrote it as Ellen Rimbauer's diary instead. [3] Inspired by the 1999 film The Blair Witch Project, King came up with the idea of presenting the novel as a real one by having "Dr. Joyce Reardon" edit the "diary." [3] King also inserted a reference into the book's foreword that a "best-selling author had found the journal in Maine", so that fans would be misled into concluding that King had written the work. [3] The ruse worked. Fans and the press speculated for some time that Stephen King or his wife Tabitha King had written the book until Pearson was revealed to be the novel's author. [4] The companion novel The Diary of Ellen Rimbauer dates the expedition to the Rose Red mansion as having taken place sometime during or before the year 2000. But the miniseries states that the present day events that show the expedition happen ten years after 1991, while also showing one of the characters holding a bill with a statement dated in the year 2002. a b c "BBC Three - Red Rose, Series 1, It's Grim Up North". BBC Programmes . Retrieved 9 August 2022. Actress Natalie Blair, born near to Bolton in Leigh, noted that "much of the cast would turn to [her] when perfecting accents and trying to grasp their characters", explaining she was "quite fortunate in the sense that I know the values that Boltonians have in family, in friendship and working hard for what you want. I definitely took that into my character for sure." Actor Ali Khan said that "[t]alking to some of the extras or locals as well, hearing how they speak can help subconsciously inform it. Most of the supporting artists were locals themselves so you’d talk to them, and they’d tell you things right", and actress Amelia Clarkson reported that "filming was often interrupted by kids shouting, but she was thankful as she used that energy to channel into her Boltonian character". Ellis Howard spoke of his enjoyment of filming on the moors near Bolton - and "how romantic and dark it is against an industrial town is so beautiful" - with Clarkson appreciating her time filming in the town's older buildings, such as it feeling "gothic" and "kind of terrifying" during shooting in Smithills Hall, and at night being "kind of scary but also it gave a lot of energy for us. Running around and being kids, which obviously helps with our performance". [29] Location and writing [ edit ]

As revenge, Douglas Posey hangs himself in a suicide in front of the Rimbauer children in the downstairs parlor. Soon after April stops speaking and Adam is sent off to boarding school. Johnson dutifully set "A Red, Red Rose" to Gow's "Major Gordon" as per Burns' instructions and published it as song number 402 in the fifth volume of Scots Musical Museum in 1797. This tune bears striking similarities to the eventual melody which would make the song famous, and "Major Gordon" is often mislabeled as the source. Johnson also included an "Old Set" version of "Red, Red Rose" as song number 403. [13] It has been suggested that it is the "Old Set" version which contains the actual melody Burns heard sung in the country. [11] :64 Burns is best understood as a compiler or a redactor of "A Red, Red Rose" rather than its author. F.B. Snyder wrote that Burns could take "childish, inept" sources and turn them into magic, "The electric magnet is not more unerring in selecting iron from a pile of trash than was Burns in culling the inevitable phrase or haunting cadence from the thousands of mediocre possibilities." [4]Tate, Gabriel (15 August 2022). "What's on TV and radio tonight: Monday, August 15". The Times . Retrieved 15 August 2022. Joshi, S.T. Icons of Horror and the Supernatural: An Encyclopedia of Our Worst Nightmares. Santa Barbara, Calif.: Greenwood Publishing Group, 2006. ISBN 0-313-33780-2. A4.15): “Each public sector organisation is expected to develop and operate an asset management strategy underpinned by a reliable and up to date asset register. The board should review the strategy annually as part of the corporate business plan.” BBC Three announces new original horror series Red Rose". BBC Media Centre. 22 August 2019 . Retrieved 9 August 2022.

The individual knowledge asset generators and owners within an organisation will also be crucial to effective knowledge asset management. The effective implementation of a strategy should include consideration of how the organisation will encourage and support the behaviour at an individual level required to identify and develop these assets. For example, in some organisations it may be helpful to put in place incentive schemes to recognise, reward and support innovators. Premiere of Red Rose - BBC Three's new horror series - to take place in Bolton". BBC Media Centre. 26 July 2022 . Retrieved 9 August 2022. Burns' lyric was not paired with "Low Down in the Broom" until Robert Archibald Smith published the third volume of his Scotish Minstrel in 1821. [16] Prior to this pairing, "Red, Red Rose" was not widely published as sheet music. [11] :66 A further strategic consideration that should be given consideration is of the broader policy and economic context. This should include the principles set out in chapter 2 of this document, but also how the external environment may be changing to offer new opportunities and risks in how your knowledge assets are used. Here you can hear Rachel Sermanni sing "A Red, Red Rose" with the Royal Scottish National Orchestra in one of the poem's most popular musical settings.

a) develop a strategy for managing their knowledge assets, as part of their wider asset management strategy (a requirement of MPM) A strategy should also set out how key information about those assets will be recorded. This allows the organisation to be able to make a regular judgement over time around the role of these assets in meeting the organisation’s priorities, and the implications of this for their acquisition, use, maintenance, renewal, upgrade and disposal. This document will support organisations in fulfilling these responsibilities, providing guidance to help public servants identify, protect and exploit their knowledge assets (including, where appropriate, exploiting them in other markets and applications). The guidance does not define a ‘one-size-fits-all’ approach to the management of knowledge assets and each organisation should consider how best to apply the principles based on the extent of their knowledge asset ownership and should take a proportionate approach. Chapter 2: Knowledge asset management principles