Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

Product Information

URSA Mini Pro 12K with OLPF has better detail handling for high end feature film. Itincludes a12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensorscaling. Resolutions: 6144 x 3456 (6K) up to 50 fps / 6144 x 2560 (6K 2.4:1) up to 60 fps / 5744 x 3024 (5.7K 17: 9) up to 60 fps / 4096 x 2160 (4K DCI) up to 60 fps / 3840 x 2160 (Ultra HD) up to 60 fps / 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps / 2868 x 1512 (2.8K 17:9) up to 120 fps / 1920 x 1080 (HD) up to 120 fps Every mirrorless camera on the market offers continual autofocus in video mode. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. The BMPCC is still in the manual-focus-pull era of cinematography. A lot of video and cinema content is still created using manual focusing lenses, but having autofocus you rarely use is better than having none. Turn URSA Mini into aprofessional studio camera with large and bright 7inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focuspeaking.

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The updates to the 6K G2 are pretty modest. At the core of the camera is the same 6,144×4,456 Super35 sensor and EF lens mount found on the original Cinema Camera 6K and the 6K Pro, but doesn’t bring the motorized ND filters found on the latter.” Most advanced digital film camera features 6K sensor with EFlens mount, built in motorized NDfilters at 0, 2, 4 and 6stops, tilt adjustable 1500 nit LCD and alarger battery. Supports optionalEVF. The BMPCC 6K G2 has a Canon EF mount, which makes it compatible with a vast array of lenses between Canon’s native glass and glass connected with adapters.
But this mount also highlights one of the system’s limitations compared to more technologically advanced hybrid cameras. Despite looking like a handheld camera, this is one that’s going to be most at home on a tripod, on a meaty gimbal or on a rig with other accessories like mics, storage and a monitor.

But while this screen is fine for indoor use, it’s hard work outside. We did some shooting in bright sunlight and found it almost impossible to see the settings and could only just make out broad shapes for composition. We tried turning the screen brightness up to maximum, but it didn't help much. If you get this camera for outdoor use, you might want to budget for the optional screw-on EVF or an external monitor bright enough for daylight.

Blackmagic Pocket Cinema Camera 6K | CVP Blackmagic Pocket Cinema Camera 6K | CVP

And if you’re coming to the camera from a mirrorless or DSLR model, you’re going to have to sacrifice a few home comforts. There’s no continuous AF, so although the 6K G2 can focus for you ahead of recording, you’ll have to do your own manual pull-focusing after that – maybe set up a rig with a follow focus unit. Automatically populated lens data from i/Technology with compatible PL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and specialnotes. ControlsOptional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcastlenses.

Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design

Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers autofocus. Iris ControlPlease complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. The camera also features an adjustable tilt 5” touchscreen LCD with 1500 nits of brightness, as well as a mini XLR audio input so that you can record with a professional microphone for the best audio possible.