Voice of the Beehive". The Official UK Charts Company . Retrieved 7 October 2015. Billboard > Voice of the Beehive Chart History > Alternative Songs". Billboard. Archived from the original on 30 October 2019 . Retrieved 18...">
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Let It Bee

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a b c d e "Official Charts > Voice of the Beehive". The Official UK Charts Company . Retrieved 7 October 2015. Billboard > Voice of the Beehive Chart History > Alternative Songs". Billboard. Archived from the original on 30 October 2019 . Retrieved 18 November 2019. Voice Of The Beehive are both a band and a duo of 2 Petticoat Girls from California who are the daughter and step daughter of a 4 Prep. In October 2017, Bryn and Belland reformed with the original line-up to play a pair of concert dates in London, including the '80s/'90s revival show Indie Daze 4. [4] [5] [6] Band members [ edit ]

Voice Of The Beehive – Let It Bee (1988, CD) - Discogs Voice Of The Beehive – Let It Bee (1988, CD) - Discogs

The members of Voice of the Beehive have gone their separate ways. Tracey Bryn is a teacher in Laguna Beach, California. Melissa Belland runs her own company Made in Heaven, also in Laguna Beach. Martin Brett runs Brett Dempsey Music Productions in London and joined I, Ludicrous on bass guitar in 2008. In 2011, he released his first solo single "Lover's Lane" under his original punk name Brett Martini. He also trained to become a facial hair specialist for film, theatre, and television in 2010. Daniel "Woody" Woodgate still plays drums, together with Mark Bedford on bass, in Madness. Mike Jones lives in Norwich, England and still plays guitar. Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). Sydney: Australian Chart Book. p.330. ISBN 0-646-11917-6. N.B. This chart was licensed by ARIA until they commenced producing the chart in-house from 26 June 1988. Top 100 (ARIA) peaks from January 1990 to December 2010: Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDFed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p.295. a b c "Australian Charts > Voice of the Beehive". australian-charts.com Hung Medien . Retrieved 18 September 2015. The duo arrived as LA refugees in 1986, primarily to escape what they described as the ‘sleazy politics’ of the West Coast music business, and would eventually stay on for a decade.Top 50 ( ARIA) peaks: "australian-charts.com > Voice of the Beehive in Australian Charts". Hung Medien . Retrieved 18 November 2019. Success came almost immediately. Let It Bee was a hit album and featured quite a few singles, including ‘I Say Nothing’, ‘I Walk The Earth’ and the band’s best known 45, ‘Don’t Call Me Baby’. Response from ARIA re: chart inquiry, received 2015-07-15". Imgur. Archived from the original on 16 July 2015 . Retrieved 7 October 2015. Australian Charts > Voice of the Beehive". australian-charts.com Hung Medien . Retrieved 7 October 2015. Melissa Brooke Belland or "Missy Beehive" – vocals – (born 17 February 1966, Los Angeles, California)

Voice Of The Beehive - Let It Bee | Releases | Discogs

Gimme Shelter" (ARIA) peak: "Response from ARIA re: chart inquiry, received 28 April 2017". Imgur.com . Retrieved 29 April 2017. It's consistent the entire way through, without a drop in quality anywhere on the album. It's a shame this band hasn't received much of the acclaim it deserves. Some may turn their nose up at the fun, playful pop and assume it's not worthy of praise, but those people are dead inside and probably had their father tear up their stuffed animal as a child. Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (pdfed.). Mt. Martha, VIC, Australia: Moonlight Publishing.

In the late 1980s, Californian sisters Tracey Bryn and Melissa Brooke Belland escaped the American music industry in search of the vibrant British indie scene. They formed a band and signed to London Records. I cant believe this album isn't more popular. It's totally perplexing. I'm the first person to review it in over 7 years. Mind-boggling.

Voice Of The Beehive - Let It Bee - Discogs Voice Of The Beehive - Let It Bee - Discogs

Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Conciseed.). Virgin Books. p.1221. ISBN 1-85227-745-9. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Roberts, David (2006). British Hit Singles & Albums (19thed.). London: Guinness World Records Limited. p.588. ISBN 1-904994-10-5.Christgau, Robert (14 March 1989). "Christgau's Consumer Guide". The Village Voice. New York . Retrieved 29 April 2013. a b "Billboard Artists / Voice of the Beehive: Alternative Songs". Billboard . Retrieved 7 October 2015. To the untrained eye there was perhaps a hint of novelty around Voice Of The Beehive, a British quintet fronted by Californian sisters Tracey and Melissa Belland, joined by Daniel ‘Woody’ Woodgate (formerly of Madness), along with Mike Jones and Martin Brett. Great sleeve too, well printed with vibrant colours and clear fonts - not just a straight scan like some reissues (has been cleaned up very well).

Honey Lingers - Wikipedia Honey Lingers - Wikipedia

a b c d e f g h "Official Charts > Voice of the Beehive". The Official UK Charts Company . Retrieved 7 October 2015. Vote up content that is on-topic, within the rules/guidelines, and will likely stay relevant long-term. The band had five Top 40 singles from two albums in the UK. [2] Their biggest commercial success came with the singles "I Say Nothing", " Don't Call Me Baby", "Monsters and Angels" and " I Think I Love You", taken from albums Let It Bee and Honey Lingers. Sex & Misery, a third album, was released in 1996; [3] by this point sisters Tracey and Melissa were the sole group members. The band reformed in 2003 to play a two-week UK tour. Or maybe they did, but when this star crossing happened what transpired from it maintained a resolutely female perspective. Opener The Beat of Love – one of five singles the album spawned – thumped its Doc Martens all over the subject of violent relationships, whilst I Say Nothing dealt with non-conformity to a sparkling avalanche of major chords. Melissa and Tracey contributed a cover of " Five Feet High and Rising" to the Johnny Cash tribute album Til Things Are Brighter (1988), credited as Tracey & Melissa Beehive.The entire album is brimmed with bright, sugary melodies that almost rot your teeth with their saccharine goodness. Playful, witty lyrics keep the album interesting at all levels, and help keep the "weaker," songs at a high quality. The singers put so much life and energy behind every lyric, it makes the album incredibly catchy. The 80s were the finest decade in pop to my mind but few of the greatest stars ever charted: Virginia Astley is obvious. Elsewhere, the two additional versions of I Walk The Earth are proof of its durability, but it’s easy to understand why the rest was excluded from the original version. Top 100 ( Kent Music Report) peaks to 19 June 1988: Kent, David (1993). Australian Chart Book 1970–1992 (Illustrateded.). Sydney: Australian Chart Book. p.330. ISBN 0-646-11917-6. N.B. This chart was licensed by ARIA until they commenced producing the chart in-house from 13 June 1988. Let It Bee (ARIA) peak: "Response from ARIA re: chart inquiry, received 14 July 2015". Imgur.com . Retrieved 18 September 2015.

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