Poetics of Light: Contemporary Pinhole Photography

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We received copies of the very colorful and substantial Vietnamese editions of Film Art: An Introduction and Film History: An Introduction (in two volumes). We thank the translators and the publishers for bringing these books out. [20.Sep.10] it is more than just a form, its involving several elements like light, shadow, and transparency like colour, texture, material, and details, it is the reason that buildings are convenient to stay in, and make us joy to be in it. Mieko Tadokoro’s still life d’après Juan Sanchez Cotan (above) and Pears Grapes and Pomegranates both recall 17th-century still life paintings. Juan Sánchez Cotán was a Spanish baroque painter whose Quince, cabbage, melon and cucumber (1602) these particular photographs seek to recreate: the quince and cabbage hang by a string and the cut melon and cucumber lay on a table or slab, a stark image far from the luscious products of the Dutch still life painters. Fruits and Flowers—Homage to Roger Fenton, 1983, Willie Anne Wright The instability of the amazing analogy is structural, since the “punto solo” is analogous both, as object of the vision, to the Argo and, as duration of the vision, to the twenty-five centuries. Making the terzina even more impossible to hold onto is the fact that its main action is forgetting: active, continual, endlessly accreted forgetting. Infinitely fascinating, infinitely impenetrable and dense, the Neptune analogy is a fitting emblem for the poetics of Paradiso 33, and indeed for Paradiso as a whole.

of Light In Medieval Gothic Architecture The Meaning of Light In Medieval Gothic Architecture

Rilke wrote: 'These trees are magnificent, but even more magnificent is the sublime and moving space between them, as though with their growth it too increased.” Tragically, Kahn passed away while the building was still under construction, making it a poignant culmination of his illustrious career. Despite its minimalist aesthetics, the Center employs a complex spatial design that facilitates an immersive engagement with art. Kahn’s thoughtful integration of natural light through a series of skylights and clerestories has been celebrated as a defining characteristic of the building, illuminating the artworks in a profoundly enhancing manner. Today, the Yale Center for British Art stands not only as a repository of extraordinary art but also as an architectural marvel in its own right, embodying Kahn’s commitment to functionality, form, and light. Yale Center for British Art Technical Information The introduction of artificial, especially electric, lighting has rather distracted and diverted us over many decades from the value of natural light. Concerns over glare and solar gain plus the economics of office development are just two factors that have militated against us fully exploiting a free and far superior source of illumination. However, the drive to use less energy and, more recently, the growing understanding of the profound links between daylight and how our bodies function, physically and mentally, have led to a growing momentum for the use of and access to natural light.Step 3 "Recollection" : passively acquired over time through Leveling Roulettes or Bozja activities In discussing the intimate, mutual, and creative relationship between Keats and Haydon, this thesis draws on those modalities of ‘light and shade’ that are emphasized in the poet’s writings, including his letters. As both an artist and an art critic and polemicist, Haydon was a great exponent, in both practical and theoretical terms, of chiaroscuro effects. His exemplary work in this respect is Christ’s Triumphant Entry into Jerusalem (begun in 1814 and finished in 1820). Haydon’s manipulation of clarity and obscurity in the picture served Keats (himself depicted among the crowd) as encouragement and inspiration for his own poetic creations. From time to time, Haydon advised Keats—who considered the picture a ‘part’ of himself—to materialize a similar complex and unstable polarity in the ‘canvas’ of his own medium of poetry. We will witness the fruits of the friendship between the two men in the development of Keats’s ‘painterly’ poetics of light and shade, from his ‘Great Spirits’ sonnet of late 1816 to his last surviving letter of late 1820. Date of Award Poetic Detail is a relationship of texture and of construction, in nature colour, light, reflection, Surface, and in the way material are juxtaposed” Steven Holl, by means its relationship of all the elements of architecture to express the poetic detail. Building should always be more when you go into it, Steven Holl said in his the Poetic of detail’, it is true, that building should have more attraction when we go into it, or so called experience it, through the meaning of the poetic into the space itself. General advice : do the 2 weekly quests in Gangos. Will slowly force you into grinding the Castrum/DR/Dalriada stuff. Will reward you with coins for the Relic Armors (if you're doing the weapons, why not go all the way and get all armors...)

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Poetics of Light features more than 200 original, unique photographs and 40 cameras from the holdings of the Pinhole Resource Collection, a body of work amassed by co-curators Eric Renner and Nancy Spenner in San Lorenzo, in New Mexico’s Mimbres Valley. I find him a useful portal into the ways language works upon us. He’s detailed, but also unapologetically intuitive. He writes firmly from his own sense of his imagination. His work is profoundly personal. I find it beautiful.Admire Le Corbusier so much in how he expressed his works with poetics of space, is by his own arrangement of forms, he used forms and shapes combine with the pure creation of his spirit, that he affects us in our deepest sense degree, and provoke our emotion through wakes us up with profound echoes, and give us simple understanding measurement of his, where it is give us a feel to be accordance with our understanding, and then that the sense of beauty we experienced and translated into the space successfully. He used the principles of Right Angle, written in His book of Poetic of the right angle, where the space that integrated all forms was the right angle, through his inspiration from Piet Mondrian, used volumes were brought to the surface ƒ brought to lines ƒ brought lines to two lines ƒ which vertical and horizontal ƒ and brought lines into a single unity that called the Right Angle, the meaning is basic human thought. Le Corbusier was a complex layer of lines, planes and volumes which he brought to a simple way and unity mad possible by spatial orthogonally. A final note. When Dante reaches the end of his vision and is granted the sight of the universe bound together in one volume, what entrances him is not plain Oneness but all that multiplicity somehow contained and unified. His heart is set on seeing and knowing that multiplicity, an otherness that is still stubbornly present in the poem’s penultimate word: altre — other. Dante’s God is not just the unmoved mover, not just the love that moves the stars. Dante’s God is the love that moves the sun and the other stars: “l’amor che move ’l sole e l’altre stelle”. Film Art: An Introduction has been published in its eleventh edition by McGraw-Hill Higher Education. [1.Feb.16]