Joined in 2023 
82 
63 About this deal
You need to set this up so that any weight pulling down on any parts will be tightening the grip, not loosening it! I really can’t find any information about where the name came from. I was told by an instructor of mine in school that it was a brand name, Century. But I can’t find any info on that either. There are several brands that make C Stands. I have a wild assortment of these that I’ve collected over 30 years made by all kinds of different companies. They are used to rig anything and everything you can think of – fill cards, lights, flags, silks, scrims, diffusion panels, you get the idea. They are not commonly used to rig cameras though. The 161cm Studio C-Stand Stainless with 20” Boom is made from stainless steel, with a shiny chrome finish, which makes it extremely strong, and capable of taking loads of up to 10kg in weight. This makes them ideal for heavy light fixtures used in TV and Film productions, as well as in professional photographic studios. a b Matthews Studio Equipment (2022-07-26). "40" C+Stand Spring Loaded Turtle Base". matthewsgrip . Retrieved 2019-11-06.
The PIXAPRO 2.5-inch C-Stand Grip Head enables you to mount various accessories such as boom arms, scrim frames, reflectors, flags etc. to your C-Stand or regular light stand. With its heavy-duty Stainless-steel construction, this grip head can effortlessly hold heavier accessories. It also features a standard 5/8-inch Baby-Pin connection, that enables it to be mounted onto virtually any C-Stand or light stand on the market. If your camera has a rotating screen, then you can swing that screen out so that you can easily see what you are doing. Anyway, this will be a good stop-gap until I need something a bit more heavy-duty for my bigger video camera. C-stands were made for rigging all sorts of other things. Technically yes, you can put a camera on a C-stand, I just want to be totally honest with you here that I never do it.a b c d Box, Harry C. (2010). Set Lighting Technician's Handbook, Fourth Edition. Focal Press. pp.75–82. ISBN 978-0-240-81075-1. Hello Christina, I really enjoy your blog, particularly the wide variety of subjects you post. I have two C-stands currently, and my supplier told me that the name refers to the fact that they can go to 100-inches or higher. I’m not sure if this is correct, but it’s another theory. You actually have no idea how happy this post made me! I shoot video regularly for clients but I’ve been using my Manfrotto tripod with the 90° arm. It’s a great piece of equipment, but we shoot on regular counters, and the tripod generally has to sit on the counter as the arm isn’t quite long enough. Already have C-Stands, so this is going to be a brilliant solution for me. They come in two sizes, a 40 inch stand or a 20 inch stand, also called a Shorty. The Parts Of A C Stand 1. TheColumn
The diameter of the arm is 19,2 mm. What is the diameter of the hole of the manfrotto where you put the arm in. A C-stand with a removable base is called a C+ stand. The removable base is referred to as a turtle base. The opening at the top of the turtle base is a junior receiver. Turtle bases are great for setting up a light very low to the ground. [5] Matthews Studio Equipment (2022-07-26). "BABY STANDS". Matthews Studio Equipment . Retrieved 2022-07-26. Matthews Studio Equipment (2022-07-26). "20" C+STAND W/SPRING LOADED TURTLE BASE, INCLUDES GRIP HEAD & ARM". Matthews Studio Equipment . Retrieved 2022-07-26.Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground. [4] [5] Types [ edit ] I wish I could shoot on lower surfaces, but they’re chef’s/cooks doing their thing, so regular kitchen counter tops it is!
However, I keep seeing tons of bloggers telling people this is THE way to do an overhead shot and many of them are not using the C-stand properly for their camera. So this post is to show you how to do it properly if you really want to use this method. There are several different kinds of legs. Some are spring loaded, which can be very nice. Others, like the ones pictured above, can slide up the riser column, which can be handy for rigging in precarious situations. I want to be very clear here. NEVER do I use a C-stand to rig any of my cameras on my jobs. It’s just not what professional photographers do.Federal Reserve Bank of Philadelphia, Pennsylvania (designates original point of circulation of a dollar bill) Our new price match policy guarantees you the same price as other retailers so you’re alway getting the best deal possible... A C-stand is sometimes referred to as a "grip stand". The Grip department always—and sometimes the electrical department—carries C stands for use with lights that don't mount onto baby or junior stands, such as kinos. The term C-stand comes from the early history of lighting equipment. The C-Stand, or century stand, was named for the company that first produced bespoke lighting gear for live theater and filmmaking: Century Lighting based in New York City, which later became Century Strand and eventually Strand Lighting. [7] In later years, studios, grips and gaffers began to manufacture the earliest versions of what we now call C-Stands. The original C-Stands had welded bases that did not fold up or adjust but the fact that they easily nested together made them invaluable on the stage. [8] Today, the term C-stand is a popular name for the grip stand made by Matthews Studio Equipment, Inc. and has been copied by other manufacturers. [ citation needed] [9] C-stands are an important component in the image maker's arsenal of tools.
Brown, Blain (2002). Cinematography: imagemaking for cinematographers, directors and videographers. Focal Press. p.252. ISBN 0-240-80500-3. First you have the center column part. This center column usually has two risers in it to take the stand up as high as 10 feet.If your camera does not have a rotating screen, it will be difficult for you to see that, so you’ll need an eye piece adapter like this one called a Right Angle Finder made for your camera. It is a simple yet versatile addition to your studio’s equipment arsenal. The clamping knobs are designed to securely fix the light modifiers in place with added safety, ensuring your setup won’t be compromised. In 1974, Matthews Studio Equipment introduced the industry's first folding base C-Stand. Matthews produces a wide range of C-Stands and related accessories to assist the motion picture, television and photographic professional in lighting and lighting modification support. [6] Use [ edit ]
Great Deal 
New Comment