Skins

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By the time Gavin Watson had left school at the age of 16, he had already amassed more than 10,000 photographs of his friends, taken at a council estate in High Wycombe, during the time the second generation of British skinheads were coming of age in the late 1970s and early 80s. The second wave arrived in the late 1970s and early 1980s. These skinheads differed from the first generation, in that they were not influenced as much by mod as they were by the growing punk and 2Tone Ska scenes in London. It’s incredible that [the far-right] could take something that was so inclusive and weaponise it to divide people’ – Gavin Watson In Great Britain, the skinhead subculture became associated in the public eye with the membership of groups such as the National Front and the British Movement. By the 1990s, neo-Nazi skinhead movements existed across all of Europe and North America.

Brief History of British Subcultures | PORT Magazine A Brief History of British Subcultures | PORT Magazine

Early northern soul fashion included strong elements of classic Mod style, including button-down Ben Sherman shirts, blazers with centre vents and an unusual numbers of buttons, and brogue shoes. Later northern soul dancers began wearing lighter, loose fitting clothes for easier movement on the dance floor. This included high waisted baggy Oxford trousers and sports vests with leather-soled shoes.EJ: Skins has become a cultural artefact in its own right, at the time did you ever feel as if you were in the midst of capturing history? Gavin Watson documented his friends as they came of age at the heart of a misunderstood community.” — i-D What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.” –Shane Meadows (Director of award-winning film This Is England).

Gavin Watson Camera Press | Photographers | Gavin Watson

While there is little doubt that North Americans, especially Canadians as part of the British Commonwealth, were exposed to skinhead subculture in the late 1960s and during the initial resurgence of this movement in 1978, it did not take hold as a youth cult in the United States until the arrival of punk.EJ: There’s an ease to those captured that only comes from being a photographer rooted in a scene, what was your relationship like with the people you photographed?

Skins by Gavin Watson | Waterstones

His photographs were published in the books Skins (1994) and Skins and Punks (2008), with director Shane Meadows citing them as an inspiration for his film This is England (2006). His Rave images were published in the book Raving '89 (2009).Gavin Watson: 'This is Tottenham Chris, who featured in the first Skins book quite extensively. He worked at the Fred Perry factory and would steal us shirts, which was quite handy.' Through no desire of his own, Watson eventually became known as one of the most prominent documenters of skinheads, his 1994 debut book Skins having served as primary source material for Shane Meadows’s iconic indie drama This Is England. Watson affirms that the film is more representative of his experience of the subculture than other on-screen portrayals, arguing that “there’s a political narrative with movies like American History X and Romper Stomper” that doesn’t resemble what he knew.

Gavin Watson’s photographs of skinheads in early-’80s England Gavin Watson’s photographs of skinheads in early-’80s England

As mod split into two in the late-’60s – Small Faces-style psychedelia went one way, ‘harder’ lads the other – a look that combined Ivy League precision with Jamaican attitude and British workwear was born. This was skinhead. And the music that its adherents danced – or at least jumped about to – was ska. What makes Gavin’s photos so special is that when you look at them, there’s clearly trust from the subject towards the photographer, so it feels like you’re in the photo rather than just observing.”–Shane Meadows (Director of award-winning film This Is England).Skins by Gavin Watson is arguably the single most important record of ’70s skinhead culture in Britain. Rightly celebrated as a true classic of photobook publishing, the book is now reissued in a high-quality new edition under close supervision from the photographer. In 1989 Gavin and his brother Neville became involved with the newly emerging Rave scene sweeping the UK. His images documented the early D.I.Y. party culture that sprang up around London. First published in 1994, Gavin Watson’s inimitable publication Skins is one of the most renowned documentations of British sub-culture to date. Beginning his career aged fourteen after impulsively purchasing a camera at Woolworth’s, Watson’s photographs have inspired films, exhibited globally and most importantly, been shared between the people who stood before his lens three decades ago as a reminder of their glory days. Gavin Watson’s cult documentary photo book Skins chronicles the radical and inclusive spirit which originally animated the emerging skinhead culture of 70s Britain.” — Dazed