Korg - Nu:Tekt NTS-1 Digital Synth Kit

Product Information

The two slashes (//) at the beginning mark a comment. Use these to leave behind notes in your program, as they won’t have any effect on how the program runs. Out of the box, the NTS-1 synth features saw, triangle, square and VPM (variable phase modulation) oscillators, along with one user oscillator: Waves. Saw, triangle and square are what you’d expect, boast a pleasing digital edge, and operate as described in the section on control. The VPM and Waves oscillators, however, prove more sonically diverse. VPM is Korg’s version of FM synthesis, which creates harmonically complex tones. Waves, meanwhile, is a wavetable oscillator with ring modulation and bitcrusher effects that, when deployed correctly, can make for wonderfully unpleasant sounds and textures. The key point here is that with “modfx”, input and output was separated last time, but this time “xn” is used for both input and output.

That’s why “0” becomes “1”. With this method, we can also write “i++” for the “for” statement, so that “i” gets incremented by one with each pass. Another way to write this is “count = count + 1”.The Korg NTS-1 iOS Editor is a Surface that can be loaded into the "Surface Builder" and is then a fully-fledged Midi Editor for the NTS-1 As the name suggests, this product is the vocoder made by DOTEC-AUDIO. This vocoder features a filter bank-type vocoder (which is now experiencing a revival) switchable between eight, 16 and 32 bands, as well as formant shift capabilities. All new products are sold with a 2-year manufacturer warranty which is upgraded to 3 years when bought direct from Korg UK.

Finally, as with last time we’ll type the name of the effect we created into the “name” parameter in “manifest.json” and in the “PROJECT” parameter of “project.mk”. To circumvent this, we came upon a bold idea to separate the sounds by using the differential in the stereo audio.

Key features

This is where we use the data previously received from the knobs. At last, here it is! The data we received is from 0–1, so if we want to get a value of 64 from the maximum number (1), we need to multiply it by 64. In other words, you get a synthesizer that you can freely program, as well as effects. When you hear that, it really makes you want to try it yourself, don’t you think? Maybe some of you have already figured this out. We use this method to get a value that’s 40% more than the value in the “pth” location.

Single Monophonic Digital Oscillator – Influenced by the MULTI Engine (a Feature of the Minilogue xd and Prologue). Load Custom Oscillators from Korg’s Logue SDK. void DELFX_INIT(uint32_t platform, uint32_t api) { buf_clr_f32(s_delay_ram, BUFFER_LEN); z = 0; z2 = 0; prev = 0; next = 0; p = 0.f; slope = 0.f; isStop = 0; } As “i” starts with zero, it will be the same in terms of number of times as the number of frames, but only as long as it ends one number lower than “frames”. Always halving the value gets to be a pain, and the code gets harder to make out with the added formulas. Once you’ve entered the “bitcrusher” folder using the cd command, use “make” as we explained last time.Pretty cool, eh—it’s like stopping a record. Now I’ll show you everything you need to know to make this effect. In this way, since this is a plugin for use with DAWs, it offers a different kind of freedom from the vocoder that works with the NTS-1.

The reason why we divided by two at the beginning to get the value for “p” was to get the doubled number here!This is a tool used to create ZIP files, and as with GNU Make it doesn’t require special installation on virtually any platform.