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Nikon used the D5100 to film one of the television commercials for the camera itself, which feature actor and perennial Nikon pitchman Ashton Kutcher.
About Camera: No other thought about this small little the best gadget for photography freeks. Grab this cam without having other thoughts if ur budget is around 30k. The ISO sensitivity of the Nikon DSLR ranges from 100 to 6400. You can extended up to a whopping 25600 equivalent to give you better results in dim light situations. The four noise reduction settings give you the freedom to shoot good pictures in any lighting. The shutter speed ranges from 1/4000 - 30 sec in, and also includes bulb setting for long exposures. The Nikon D5100 DSLR has built in pop up flash with several sync modes and a hot shoe for external flash. The D5100 uses the same EN-EL14 battery as the D3100. It's a 7.6Wh battery that the D5100 manages to make last for 660 shots, according to CIPA standard tests (which compares favorably against the 550 achieved by the D3100). Viewfinder specs and viewBuilt in Pop-up, Guide number 13m at ISO 100, Standard ISO hotshoe, Compatible with the Nikon Creative Lighting System Along with faster processing times, better battery performance and the ability to record 14-bit (as opposed to 12-bit) Raw files, the new processing engine is able to deliver a maximum continuous shooting speed of 4fps – a slight improvement over the D3100’s 3fps, but not quite up there with the 6fps of the D7000. Compared to its competitors, this puts the D5100 somewhere in the middle; the Canon EOS 600D is a tad slower at 3.7fps, the Pentax K-r faster at 6fps, and the Sony A580 faster still at 7fps. Because of the way viewfinders are measured (using a fixed lens, rather than a lens of equivalent magnification), you also need to take the sensor size into account, so the numbers in the diagram below are the manufacturer's specified magnifications divided by the respective 'crop factors'. Despite many of the buttons moving around, one thing that remains very much in the D5100’s favour is the straightforward menu navigation system. Nikon has always excelled at simplifying menu navigation and the D5100 is no exception. This makes the D5100 really easy to use. While the main Menu button to the left of the viewfinder is used to access more complicated settings, the handy button to the right of the viewfinder can be called upon to access a single-screen menu of the most regularly used settings – from ISO to AF mode via Picture Controls and Metering mode. With all the options displayed clearly on the monitor, accessing and changing these key settings with the D-pad proves both easy and intuitive, becoming almost second-nature before long.
Yet the Nikon D5100 features the same 16.2-million-pixel CMOS sensor and EXPEED 2 processor as the Nikon D7000. This means raw images are saved as 14-bit files and users can expect similar quality results with the two cameras. Thanks primarily to the placement of the articulated monitor’s hinge on the side of the camera, the D5100’s button layout has undergone a fairly dramatic reshuffle from where regular Nikon users might usually expect to find things. For example, all of the buttons located to the left-hand side of the screen on the D5000 (and pretty much every other Nikon DSLR besides) have had to shift elsewhere on the D5100, with some now found on the top plate and others located to the right-hand side of the monitor. Matrix :3D color matrix metering II (type G and D lenses); color matrix metering II (other CPU lenses)Our only quibbles, such as they are, are fairly minor and limited to the exclusion of useful advanced entry-level tools such as the ability to the pop-up flash as a wireless commander and the omission of a depth-of-field preview button. Both of these would ultimately prove more useful and give the camera more longevity than any of the Special Effects shooting modes. While it may not have the 39 points of the D7000's AF system, the D5100's Multi-CAM 1000 AF module performed well in the D5000 and Nikon D90 (which has not been discontinued; read our Nikon D90 review). Elsewhere, things are very much as one might expect of an advanced entry-level DSLR from Nikon -¬ the full suite of Program, Aperture-priority, Shutter-priority and Manual shooting controls are present, as is a fully automatic mode, a forced flash-off mode and a selection of scene modes. One thing new addition to the shooting mode dial is the Special Effects option. This is basically a range of digital filters ¬– such as the aforementioned ‘Night Vision’ extended-ISO option – that can be selected to give your images a unique look. We’ll have more to say about these later in the review. These changes resolve two rather awkward aspects of Nikon's existing lineup: if the D5100 and D7000 end up being neighboring models it will avoid the inelegant overlap that existed between the D5000 and D90. It also ensures a more elegant appearance to the models themselves (the D5000 was many things, but pretty wasn't one of them). While the camera is being used in live view mode it’s possible to record movies, and here too the new model has received a boost over its predecessor, with the ability to record at 1920 x 1080 pixels, at 24 or 25fps (plus 30fps for NTSC regions). The D5000 could only record at a maximum 720p. The D5100’s improved abilities put it, on paper at least, in the same league as the Canon EOS 600D and Sony A580, with the Pentax K-r trailing behind somewhat with a maximum setting of 1080 x 720p at 25fps. The D5100’s movie files are recorded in the H.264 format
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