TAMRON AF 70-300mm F/4-5.6 Di LD Macro 1:2 Lens for Canon

Product Information

With your subject nearly a metre from the plane of focus, it makes it easy to take frame-filling shots of things that are not very large. The large working distance may make this lens suitable for those looking for a budget introduction to shooting insects or other small things that may get spooked if you get too close. Pursue a wide range of photography with a lineup of lenses for Sony full-frame E-mount cameras that all have the same 67mm filter diameter MTF (Modulation Transfer Function) curves describe to what extent the tested lens can faithfully reproduce contrast of the subject in images it captures. A travel-friendly lens that also makes a good lightweight walkabout zoom, the Tamron 70-300mm is remarkably lightweight as well as being very simple to use. It pairs well with all but the earliest full-frame Sony E-mount full-frame cameras, as later models feature IBIS. The lens would also be worthy of consideration for Sony’s APS-C format E-mount bodies, but relatively few of these have IBIS, making consistently sharp handheld shooting difficult to achieve. Sharpness itself is mostly excellent in the centre of the frame but drops off towards the edges and corners. On balance, it’s a good lens that’s well worth the asking price, but it’s less impressive than other recent Tamron E-mount optics. Aside from being narrow at the long end, the 70-300's variable max aperture means that manual exposures utilizing

Tamron AF 70-300mm f/4-5.6 Di LD Macro review | TechRadar

While Tamron has manufactured many popular telephoto zoom lenses that extend to 300mm for DSLR cameras, the newly released 70-300mm F/4.5-6.3 Di III RXD is the first model designed for full-frame mirrorless cameras. Developed with the concept of bringing the joy of easy telephoto shooting to photographers everywhere, it’s the world’s smallest and lightest 70-300mm zoom lens at 148mm and 545g and delivers exceptional image quality. The Tamron 70-300mm f/4-5.6 Di VC USD Lens focuses internally and has FTM - manual focus is always available and the focus ring does not turn during autofocus. Manual focus adjustment is pretty smooth, with a decent range of travel that makes it easy to home in on the precise focus point you need. The focus ring moves so easily though, that it's easily jostled from its setting by a casual touch. Riding above the typical 18-55mm focal length range found in kit and general purpose lenses, the 70-300mm (or similar) focal length range is extremely popular - In October 2020 Tamron introduced the 70-300mm f4.5-6.3 Di III RXD (model A047) for the Sony E-mount. Now this 4.3x zoom becomes Tamron’s first lens for the Nikon Z-mount – and it’s currently the only lens for Z-mount with this zoom range. Nikon is clearly adopting a two-pronged approach with respect to licensing: for some lenses, Nikon’s decided to build or brand their own versions of Tamron’s optical designs (for example, the Z 18-28mm f2.8, Z 28-75mm f2.8, Z 70-180 f2.8), while the 70-300mm here is clearly a Tamron-branded model and more are likely to follow. This is good news as the portfolio of autofocus lenses for Nikon Z-mount is sure to expand even further and offer more choices for photographers using Nikon mirrorless cameras.With this 70-300mm telephoto zoom lens, flipping a macro switch in the focal length range of 180mm to 300mm obtains a maximum magnification ratio of 1:2 at a minimum focus distance as short as 37.4", enabling close-up shots of flowers, insects, and other objects that normally require the use of a specially designed macro lens. Moreover, this is a zoom lens that casually offers the distant capture and foreshortening effect pleasures of the 300mm ultra-telephoto world.

Tamron 70-300mm F/4.5-6.3 Di III RXD Lens Introduced Along Tamron 70-300mm F/4.5-6.3 Di III RXD Lens Introduced Along

Pincushion distortion increases over the focal length range until becoming moderately strong at 300mm.The Tamron 70-300 comes without a pouch or tripod mount but the reversible lens hood is included. Both Nikkors come with a pouch, the Z-Nikkor also has a tripod foot. [0] The lightweight construction is a bonus from a handling point of view, especially for long periods of handheld shooting and simply for carrying the lens around. The electronically coupled manual focus ring and mechanical zoom ring both operate with smooth efficiency and, as usual for this class of lens, the inner barrel extends at longer zoom settings. With fully internal focusing, however, the front element and filter ring don’t rotate, which is another handling advantage. That’s really all we can say about handling, as there are no other switches or control rings to play with apart from the zoom and focus rings. Performance

Tamron 70-300mm f4.5-6.3 Di III review | Cameralabs Tamron 70-300mm f4.5-6.3 Di III review | Cameralabs

Flare and ghosting performance is very good with this lens. Strong light sources in the frame cause a tiny amount of ghosting and flare, but much less than many other lenses at this price point. Light sources outside of the frame barely affect the image at all and the supplied circular hood does an excellent job of shading the front element. Overall the lens is usable through its entire focal length, when you keep a few large aperture values in mind that you might want to avoid because of noticeable corner blur. The purple fringing can be quite disturbing in high-contrast photos and it cost quite an effort to alleviate the effect in Photoshop. However, what makes this lens still very attractive is its low weight and relatively small dimensions, making it a good choice for travellers. Given the very low price of this lens, the image quality is actually quite acceptable.

From wide-angle to ultra-telephoto - just one lens.

The close-focus point is 0.8m / 31.5inch from the film/sensor plane at 70mm and 1.5m / 59.1inch at 300mm, with a maximum reproduction ratio of 1:9.4 at 70mm and 1:5.1 at 300mm. Bokeh