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Brown, Blain (2002). Cinematography: imagemaking for cinematographers, directors and videographers. Focal Press. p.252. ISBN 0-240-80500-3. They are used to rig anything and everything you can think of – fill cards, lights, flags, silks, scrims, diffusion panels, you get the idea. They are not commonly used to rig cameras though.
If your camera does not have a rotating screen, it will be difficult for you to see that, so you’ll need an eye piece adapter like this one called a Right Angle Finder made for your camera. However, I keep seeing tons of bloggers telling people this is THE way to do an overhead shot and many of them are not using the C-stand properly for their camera. So this post is to show you how to do it properly if you really want to use this method. There are several different kinds of legs. Some are spring loaded, which can be very nice. Others, like the ones pictured above, can slide up the riser column, which can be handy for rigging in precarious situations.
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I want to be very clear here. NEVER do I use a C-stand to rig any of my cameras on my jobs. It’s just not what professional photographers do. If my camera was heavier, the bag would go more towards the end of the arm behind the stand. Attaching A Camera The arm can be used in a few ways. You can have a 40 inch arm or a 20 inch arm. The arm also has a grip head on it. You can put a light on the end of the arm and extend it out – though you always have to counterweight this type of rigging.
They come in two sizes, a 40 inch stand or a 20 inch stand, also called a Shorty. The Parts Of A C Stand 1. TheColumn The PIXAPRO 2.5-inch C-Stand Grip Head enables you to mount various accessories such as boom arms, scrim frames, reflectors, flags etc. to your C-Stand or regular light stand. With its heavy-duty Stainless-steel construction, this grip head can effortlessly hold heavier accessories. It also features a standard 5/8-inch Baby-Pin connection, that enables it to be mounted onto virtually any C-Stand or light stand on the market.
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a b c d Box, Harry C. (2010). Set Lighting Technician's Handbook, Fourth Edition. Focal Press. pp.75–82. ISBN 978-0-240-81075-1. Since a stand is used to hold a piece of gear high above or far off to the side, the base of the stand must be weighed down, commonly with shotbags, sometimes with sandbags. The bag is slung over the top of the tall stand leg so the weight is fully on the stand and not the ground. [4] [5] Types [ edit ] This 161cm Studio C-Stand Stainless has three nested legs with varying leg heights, which enables you to position multiple c-stands really close together in a way that is not possible with regular light stands. The legs also fold flat for storage and transportation. A C-stand with a removable base is called a C+ stand. The removable base is referred to as a turtle base. The opening at the top of the turtle base is a junior receiver. Turtle bases are great for setting up a light very low to the ground. [5] Our new price match policy guarantees you the same price as other retailers so you’re alway getting the best deal possible...
In 1974, Matthews Studio Equipment introduced the industry's first folding base C-Stand. Matthews produces a wide range of C-Stands and related accessories to assist the motion picture, television and photographic professional in lighting and lighting modification support. [6] Use [ edit ] Matthews Studio Equipment (2022-07-26). "20" C+Stand w/Spring Loaded Turtle Base, includes Grip Head & Arm". matthewsgrip . Retrieved 2019-11-06.The 161cm Studio C-Stand Stainless with 20” Boom is made from stainless steel, with a shiny chrome finish, which makes it extremely strong, and capable of taking loads of up to 10kg in weight. This makes them ideal for heavy light fixtures used in TV and Film productions, as well as in professional photographic studios. I really can’t find any information about where the name came from. I was told by an instructor of mine in school that it was a brand name, Century. But I can’t find any info on that either. There are several brands that make C Stands. I have a wild assortment of these that I’ve collected over 30 years made by all kinds of different companies. You can use this arm for your overhead shooting with smaller cameras. Again, you have to counterweigh it when doing so. I highly urge you NOT to rig any of the bigger pro DSLR’s this way. They are just too heavy. 4. The Legs
Also notice the tallest leg is in the direction of the arm. This will help to ensure that the stand won’t fall over. It only has three legs after all. So you are putting the weight over the largest leg.
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