Hieronymus Bosch. The Complete Works

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The Garden of Earthly Delights c. 1495–1505 Oil on wood 220 × 389 cm Museo del Prado, Madrid, Spain

Hieronymus Bosch: A Mysterious Profile - Goodreads Hieronymus Bosch: A Mysterious Profile - Goodreads

In The Closers, Bosch was once again partnered with Rider, while Edgar remained in Hollywood Homicide. Bosch remained partnered with Rider until her transfer to the Chief's office after being shot during Echo Park.The Ship of Fools/Death and the Miser triptych A reconstruction of the left and right wings of the triptych: at upper left The Ship of Fools; at lower left: Allegory of Gluttony and Lust. Panel at right is Death and the Miser. At Bottom the outer panel The Wayfarer. Death and the Miser c. 1500–1510 Oil on wood 92.6 × 30.8 cm National Gallery of Art, Washington, D.C., USA Outer wing of a lost triptych. The other outer wing comprised Ship of Fools (top) and Allegory of Gluttony and Lust (bottom). Allegory of Gluttony and Lust c. 1500–1510 Oil on wood 35.8 × 32 cm Yale University Art Gallery, New Haven, USA Fragment of a lost triptych which also included Ship of Fools (the Allegory would be the lower part of that outer wing) and Death and the Miser (the other outer wing). The Last Judgment c. 1500–1505 Oil on wood 163.7 × 127 cm (central panel) 167.7 × 60 cm (left wing) 167 × 60 cm (right wing) Academie für Bildenden Künste, Vienna, Austria The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille. Bosch—whose real name was Jheronimus van Aken—was widely copied and imitated: the number of surviving works by Bosch’s followers exceeds the master’s own production by more than tenfold. Today only 20 paintings and eight drawings are confidently assigned to Bosch’s oeuvre. He continues to be seen as a visionary, a portrayer of dreams and nightmares, and the painter par excellence of hell and its demons.

Hieronymus Bosch: A Mysterious Profile (Mysterious Profiles) Hieronymus Bosch: A Mysterious Profile (Mysterious Profiles)

The Martyrdom of St. Julia c. 1495–1505 Oil on wood 104 × 119 cm Palazzo Ducale, Venice, Italy X-rays of The Martyrdom of St. Julia showing donars left and right Ship of Fools c. 1500–1510 Oil on wood 58 × 33 cm Louvre, Paris, France Fragment of a lost triptych which also included Allegory of Gluttony and Lust (which is the lower part of the Ship of Fools wing) and Death and the Miser (the other outer wing). Over eighty million copies of Connelly’s books have sold worldwide and he has been translated into forty-five foreign languages. He has won the Edgar Award, Anthony Award, Macavity Award, Los Angeles Times Best Mystery/Thriller Award, Shamus Award, Dilys Award, Nero Award, Barry Award, Audie Award, Ridley Award, Maltese Falcon Award (Japan), .38 Caliber Award (France), Grand Prix Award (France), Premio Bancarella Award (Italy), and the Pepe Carvalho award (Spain) . In the TV series, Bosch carries Kimber Custom TLE II .45 ACP caliber semi-automatic pistol as his duty weapon. In The Dark Hours, a case Ballard is investigating is linked to a cold case Bosch investigated a while ago, leading them to partner up again. He helps with the case, as well as another one involving two rapists. Ballard solves the cases and brings the killers to justice, and Bosch later accompanies her in confronting another man involved in the rapes and getting his confession, before deciding to bring the evidence to the FBI.Tintoretto: Christ Washing the Disciples' Feet – Joseph and Potiphar's Wife – Judith and Holofernes (by his studio) – The Washing of the Feet above) A giant centerfold for the painter’s most renowned work The Garden Of Earthly Delights, which can be found at the Museo Del Prado in Madrid, Spain. Another good reason ( besides Las Meninas ) to visit the museum in the near future. The Haywain 1510–1516 Oil on wood 147 × 232 cm (Escorial version) 135 x 190 cm (Prado version) El Escorial, Spain (version 1) Museo del Prado, Madrid, Spain (version 2) The outer panels form a single image, usually referred to as The Path of Life. Oil on wood 86.5 × 39.5 (each) Palazzo Grimani, Venice, Italy Also known as Cardinal Grimani's Altarpiece. Probably part of a larger (four more paintings) altarpiece, now lost. In the midst of the realist-leaning artistic climate of the Late Gothic and Early Renaissance, Netherlandish painter Hieronymus Bosch (c. 1450–1516) was more than an anomaly. Bosch’s paintings are populated with grotesque scenes of fantastical creatures succumbing to all manner of human desire, fantasy, and angst. One of his greatest inventions was to take the figural and scenic representations known as drolleries, which use the monstrous and the grotesque to illustrate sin and evil, and to transfer them from the marginalia of illuminated manuscripts into large-format panel paintings. Alongside traditional hybrids of man and beast, such as centaurs, and mythological creatures such as unicorns, devils, dragons, and griffins, we also encounter countless mixed creatures freely invented by the artist. Many subsidiary scenes illustrate proverbs and figures of speech in common use in Bosch’s day. In his Temptation of St Anthony triptych, for example, the artist shows a messenger devil wearing ice skates, evoking the popular expression that the world was “skating on ice”—meaning it had gone astray. In his pictorial translation of proverbs, in particular, Bosch was very much an innovator.

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Parmigianino: Holy Family with Angels – Portrait of Camilla Gonzaga and Her Three Sons – Portrait of Pier Maria Rossi di San Secondo – Saint Barbara Ecce Homo (Philadelphia) Oil on wood 52 × 54 cm Museum of Art, Philadelphia, USA Previously attributed to Bosch; dendrochronological analysis proved [ citation needed] it to be a late 16th-century work by a follower St. Christopher Carrying the Christ Child c. 1490–1500 Oil on wood 113 × 71.5 cm Museum Boijmans Van Beuningen, Rotterdam, NetherlandsPassion Triptych c. 1530 Commissioned by Mencía de Mendoza (1508–1554) for her burial chapel (the Chapel of the Epiphany) in the convent of Santo Domingo, Valencia Oil on panel 163 × 382 cm Museu de Belles Arts de València, Valencia, Spain Probably not a work by Bosch, but by a Flemish follower. The Wayfarer c. 1500–1510 Oil on wood 71.5 cm (diameter) Museum Boijmans Van Beuningen, Rotterdam, Netherlands This is the outer panel of a lost triptych. {possibly from the Ship of Fools triptych [?] The #1 New York Times –bestselling author brings you into the world of the LAPD’s Harry Bosch, and the history that shaped him. Librarian Note: There is more than one author in the Goodreads' database with this name. See this thread for more information.