Stan Campbell

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Costello [producer, Free Nelson Mandela]: The secret weapon in the Special AKA was vocalist Stan Campbell.

Bradbury continued through the Special AKA era, then formed the band JB's Allstars, before moving into production.

In 1990, Bradbury, Golding, Panter and Staple teamed up with members of the Beat to form Special Beat, [10] performing the music of the two bands and other ska and Two Tone classics. Stanley is survived by his wife, Margaret (Cash); his son, Tom and wife Pam; his grandchildren, Angus, Maggie, and Juliette; siblings, Helen (John Alec-d) and Brian and in-laws, Charlie (Marie), Frankie (Kay-d), Elizabeth (Francis-d) and Andrea. The scene starts to fall apart amid band squabbles and music scene shifts, but a legacy has been built that stretches from generations of global ska-punk bands to the end of apartheid. Hopefully all the 2 Tone and anti-apartheid efforts made some sort of contribution, but there’s still so much to be done.

However, careful listening to the soundtrack revealed that, instead of "Free Nelson Mandela", she at times sang "Free Blakey, My Fella" (a reference to her husband, Blake Fielder-Civil, a former drug dealer imprisoned for assault).

The release of the album with Desmond Dekker created some buzz for the band, and led to an offer from a Japanese promoter to book a tour.

Stan believes that both parties in a law enforcement encounter have a responsibility to de-escalate the situation. Producer Roger Lomas was asked by Trojan Records to get some musicians together to back ska legend Desmond Dekker on a new album. Hi Marco, I see Stan Campbell from time to time busking in Birmingham uk, in and around the city, playing the bongo's! He is passionate about helping clients to achieve tax savings, for example through the use of Enterprise Management Incentives (EMIs).I tried to download link of album having trouble please up date any info and music you may have on him. The recession and mass unemployment were so bad that people were on the streets selling household items, but the song could have been about anywhere in Britain. I was asked to organise a British branch of Artists Against Apartheid and the festival on Clapham Common drew a quarter of a million people.