The Greek View of Life

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Hades sits on the Underworld throne, in his own "House of Hades", beside his wife, the queen of Hades' realm, Persephone. And as with the external world, so with the world within. The powers of nature were not the only ones felt by man to be different from and alien to himself; there were others, equally strange, dwelling in his own heart, which, though in a sense they were part of him, yet he felt to be not himself, which came upon him and possessed him without his choice and against his will. With these too he felt the need to make himself at home, and these too, to satisfy his need, he shaped into creatures like himself. To the whole range of his inner experience he gave definition and life, presenting it to himself in a series of spiritual forms. In Aphrodite, mother of Eros, he incarnated the passion of love, placing in her broidered girdle "love and desire of loving converse that steals the wits even of the wise"; in Ares he embodied the lust of war; in Athene, wisdom; in Apollo, music and the arts. The pangs of guilt took shape in the conception of avenging Furies; and the very prayers of the worshipper sped from him in human form, wrinkled and blear-eyed, with halting pace, in the rear of punishment. Thus the very self of man he set outside himself; the powers, so intimate, and yet so strange, that swayed him from within he made familiar by making them distinct; converted their shapeless terror into the beauty of visible form; and by merely presenting them thus to himself in a guise that was immediately understood, set aside, if he could not answer, the haunting question of their origin and end. Of all the problems on which we expect light to be thrown by religion none, to us, is more pressing than that of death. A fundamental, and as many believe, the most essential part of Christianity, is its doctrine of reward and punishment in the world beyond; and a religion which had nothing at all to say about this great enigma we should hardly feel to be a religion at all. And certainly on this head the Greeks, more than any people that ever lived, must have required a consolation and a hope. Just in proportion as their life was fuller and richer than that which has been lived by any other race, just in proportion as their capacity for enjoyment, in body and soul, was keener, as their senses were finer, their intellect broader, their passions more intense, must they have felt, with peculiar emphasis, the horror of decay and death. And such, in fact, is the characteristic note of their utterances on this theme. "Rather," says the ghost of Achilles to Odysseus in the world of shades, "rather would I live upon the soil as the hireling of another, with a landless man who had no great livelihood, than bear sway among all the dead that are no more." [Footnote: Od. xi 489.—Translated by Butcher and Lang.] Better, as Shakespeare has it, But if he hath sinned, like unto this man, and covereth hands that are blood-stained: then is our witness true to the slain man. But this orgy of the senses was not the only form which the worship of Dionysus took in Greece. In connection with one of his legends, the myth of Dionysus Zagreus, we find traces of an esoteric doctrine, taught by what were known as the orphic sects, very curiously opposed, one would have said, to the general trend of Greek conceptions. According to the story, Zagreus was the son of Zeus and Persephone. Hera, in her jealousy, sent the Titans to destroy him; after a struggle, they managed to kill him, cut him up and devoured all but the heart, which was saved by Athene and carried to Zeus. Zeus swallowed it, and produced therefrom a second Dionysus. The Titans he destroyed by lightning, and from their ashes created Man. Man is thus composed of two elements, one bad, the Titanic, the other good, the Dionysiac; the latter being derived from the body of Dionysus, which the Titans had devoured. This fundamental dualism, according to the doctrine founded on the myth, is the perpetual tragedy of man's existence; and his perpetual struggle is to purify himself of the Titanic element. The process extends over many incarnations, but an ultimate deliverance is promised by the aid of the redeemer Dionysus Lysius.

The Greek View of Life , Goldsworthy Lowes Dickinson The Greek View of Life , Goldsworthy Lowes Dickinson

Thus ends the first phase of the festival. So far all has been mirth and revelry; but now comes a sudden change of tone. Dionysus, god of wine though he be, has also his tragic aspect; of him too there is recorded a "descent into hell"; and to the glad celebration of the renewal of life in spring succeeds a feast in honour of the dead. The ghosts, it is supposed, come forth to the upper air; every door-post is smeared with pitch to keep off the wandering shades; and every family sacrifices to its own departed. Nor are the arts forgotten; a musical festival is held, and competing choirs sing and dance in honour of the god. To this question we may answer at once, broadly speaking, No! It was, we might say, a distinguishing characteristic of the Greek religion that it did not concern itself with the conscience at all; the conscience, in fact, did not yet exist, to enact that drama of the soul with God which is the main interest of the Christian, or at least of the Protestant faith. To bring this point home to us let us open the "Pilgrim's Progress", and present to ourselves, in its most vivid colours, the position of the English Puritan: A conductor of dreams and a chthonian god, Hermes Psychopompous herds the dead towards the Underworld. He is shown in art conveying the dead to Charon. Parents: Zeus (and Maia) or Dionysus and Aphrodite The whole spirit of the passage transcribed, and of the book from which it is quoted, is as alien as can be to the spirit of the Greeks. To the Puritan, the inward relation of the soul to God is everything; to the average Greek, one may say broadly, it was nothing; it would have been at variance with his whole conception of the divine power. For the gods of Greece were beings essentially like man, superior to him not in spiritual nor even in moral attributes, but in outward gifts, such as strength, beauty, and immortality. And as a consequence of this his relations to them were not inward and spiritual, but external and mechanical. In the midst of a crowd of deities, capricious and conflicting in their wills, he had to find his way as best he could. There was no knowing precisely what a god might want; there was no knowing what he might be going to do. If a man fell into trouble, no doubt he had offended somebody, but it was not so easy to say whom or how; if he neglected the proper observances no doubt he would be punished, but it was not everyone who knew what the proper observances were. Altogether it was a difficult thing to ascertain or to move the will of the gods, and one must help oneself as best one could. The Greek, accordingly, helped himself by an elaborate system of sacrifice and prayer and divination, a system which had no connection with an internal spiritual life, but the object of which was simply to discover and if possible to affect the divine purposes. This is what we meant by saying that the Greek view of the relation of man to the gods was mechanical. The point will become clearer by illustration. Section 7. Divination, Omens, Oracles.

The wind," he says, "which blows from the tombs of the ancients comes with gentle breath as over a mound of roses. The reliefs are touching and pathetic, and always represent life. There stand father and mother, their son between them, gazing at one another with unspeakable truth to nature. Here a pair clasp hands. Here a father seems to rest on his couch and wait to be entertained by his family. To me the presence of these scenes was very touching. Their art is of a late period, yet are they simple, natural, and of universal interest. Here there is no knight in harness on his knees awaiting a joyful resurrection. The artist has with more or less skill presented to us only the persons themselves, and so made their existence lasting and perpetual. They fold not their hands, gaze not into heaven; they are on earth, what they were and what they are. They stand side by side, take interest in one another; and that is what is in the stone, even though somewhat unskilfully, yet most pleasingly depicted." [Footnote: From Goethe's "Italienische Reise." I take this translation (by permission) from Percy Gardner's "New Chapters in Greek History", p. 319.] As a further illustration of the same point an epitaph may be quoted equally striking for its simple human feeling and for its absence of any suggestion of a continuance of the life of the dead. "Farewell" is the first and last word; no hint of a "joyful resurrection." It must not be supposed, however, that the popular superstition described by Plato, however characteristic it may be of the point of view of the Greeks, represents the highest reach of their thought on the subject of guilt. No profounder utterances are to be found on this theme than those of the great poets and thinkers of Greece, who, without rejecting the common beliefs of their time, transformed them by the insight of their genius into a new and deeper significance. Specially striking in this connection is the poetry of the tragedian Aeschylus; and it will be well worth our while to pause for a moment and endeavour to realise his position. Such being the general view of the Greeks on the subject of death, what has their religion to say by way of consolation? It taught, to begin with, that the spirit does survive after death. But this survival, as it is described in the Homeric poems, is merely that of a phantom and a shade, a bloodless and colourless duplicate of the man as he lived on earth. Listen to the account Odysseus gives of his meeting with his mother's ghost. Personifications of various sorts reside in the Underworld and some of the creatures of death and the Afterlife appear to be on the periphery.

The Greek View Of Life : Methuen Amp Co. Ltd. - Archive.org The Greek View Of Life : Methuen Amp Co. Ltd. - Archive.org

Here then is at least a partial reply to our question as to the effect of a belief in the gods on the feeling of the Greek. To repeat the phrase once more, it made him at home in the world. The mysterious powers that controlled him it converted into beings like himself; and so gave him heart and breathing-space, shut in, as it were, from the abyss by this shining host of fair and familiar forms, to turn to the interests and claims of the passing hour an attention undistracted by doubt and fear. Section 4. Greek Religion the Foundation of Society. The performance of sacrifice, then, ensures favour; and on the other hand its neglect entails punishment. When Apollo sends a plague upon the Greek fleet the most natural hypothesis to account for his conduct is that he has been stinted of his due meed of offerings; "perhaps," says Agamemnon, "the savour of lambs and unblemished goats may appease him." Or again, when the Greeks omit to sacrifice before building the wall around their fleet, they are punished by the capture of their position by the Trojans. The whole relation between man and the gods is of the nature of a contract. "If you do your part, I'll do mine; if not, not!" that is the tone of the language on either side. The conception is legal, not moral nor spiritual; it has nothing to do with what we call sin and conscience. Culture Trips are deeply immersive 5 to 16 days itineraries, that combine authentic local experiences, exciting activities and 4-5* accommodation to look forward to at the end of each day. Our Rail Trips are our most planet-friendly itineraries that invite you to take the scenic route, relax whilst getting under the skin of a destination. Our Private Trips are fully tailored itineraries, curated by our Travel Experts specifically for you, your friends or your family. To the description of the divine life thus prepared for the soul, from which she fell but to which she may return, Plato has devoted some of his finest passages; and if we are to indicate, as we are bound to do, the highest point to which the religious consciousness of the Greeks attained, we must not be deterred, by dread of the obscurity necessarily attaching to an extract, from a citation from the most impassioned of his dialogues. Speaking of that "divine madness," to which we have already had occasion to refer, he says that this is the madness which "is imputed to him who, when he sees the beauty of earth, is transported with the recollection of the true beauty; he would like to fly away, but he cannot; he is like a bird fluttering and looking upward and careless of the world below; and he is therefore thought to be mad. And I have shown this of all inspirations to be the noblest and highest and the off-spring of the highest to him who has or shares in it, and that he who loves the beautiful is called a lover because he partakes of it. For every soul of man has in the way of nature beheld true being; this was the condition of her passing into the form of man. But all souls do not easily recall the things of the other world; they may have seen them for a short time only, or they may have been unfortunate in their earthly lot, and having had their hearts turned to unrighteousness through some corrupting influence, they may have lost the memory of the holy things which once they saw. Few only retain an adequate remembrance of them; and they, when they behold here any image of that other world, are rapt in amazement; but they are ignorant of what that rapture means, because they do not clearly perceive. For there is no clear light of justice or temperance, or any of the higher ideas which are precious to souls, in the earthly copies of them: they are seen through a glass dimly; and there are few who, going to the images, behold in them the realities, and these only with difficulty. There was a time when, with the rest of the happy band, they saw beauty shining in brightness—we philosophers following in the train of Zeus, others in company with other gods; and then we beheld the beatific vision and were initiated into a mystery which may be truly called most blessed, celebrated by us in our state of innocence, before we had any experience of evils to come, when we were admitted to the sight of apparitions innocent and simple and calm and happy, which we beheld shining in pure light, pure ourselves and not yet enshrined in that living tomb which we carry about, now that we are imprisoned in the body, like an oyster in his shell. Let me linger over the memory of scenes which have passed away." [Footnote: Plato, Phaedrus. 249d.—Jowett's translation.] Section 17. Summary. At a later period, it is true, we find a point of view prevailing which appears at first sight to come closer to that of the Christian. Certain acts we find, such as murder, for example, were supposed to infect as with a stain not only the original offender but his descendants from generation to generation. Yet even so, the stain, it appears, was conceived to be rather physical than moral, analogous to disease both in its character and in the methods of its cure. Aeschylus tells us of the earth breeding monsters as a result of the corruption infused by the shedding of blood; and similarly a purely physical infection tainted the man or the race that had been guilty of crime. And as was the evil, so was the remedy. External acts and observations might cleanse and purge away what was regarded as an external affection of the soul; and we know that in historic times there was a class of men, comparable to the mediaeval "pardoners", whose profession it was to effect such cures. Plato has described them for us in striking terms. "Mendicant prophets," he says, "go to rich men's doors and persuade them that they have a power committed to them of making an atonement for their sins or those of their fathers by sacrifices or charms with rejoicings and games; and they promise to harm an enemy whether just or unjust, at a small charge; with magic arts and incantations binding the will of heaven, as they say, to do their work…. And they produce a host of books written by Musaeus and Orpheus, who were children of the Moon and the Muses—that is what they say—according to which they perform their ritual, and persuade not only individuals, but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill a vacant hour." [Footnote: Plato's Republic, II. 364b.—Jowett's translation.]Come now let us preach to the sons of men; yea, let us tell them of our vengeance; yea, let us all make mention of justice.

The Greek view of life (Book, 1919) [WorldCat.org] The Greek view of life (Book, 1919) [WorldCat.org]

So spake she, and I mused in my heart and would fain have embraced the spirit of my mother dead. Thrice I sprang towards her, and was minded to embrace her; thrice she flitted from my hands as a shadow or even as a dream, and sharper ever waxed the grief within me. And uttering my voice I spake to her winged words: He answered, 'Sir, I perceive by the book in my hand, that I am condemned to die, and after that to come to judgment; and I find that I am not willing to do the first, nor able to do the second.' And now let us turn to a point for which perhaps some readers have long been waiting, and with which they may have expected us to begin rather than to end. So far, in considering the part played by religion in Greek Life, we have assumed the position of orthodoxy. We have endeavoured to place ourselves at the standpoint of the man who did not criticise or reflect, but accepted simply, as a matter of course, the tradition handed down to him by his fathers. Only so, if at all, was it possible for us to detach ourselves from our habitual preconceptions, and to regard the pagan mythology not as a graceful invention of the poets, but as a serious and, at the time, a natural and inevitable way of looking at the world. Now, however, it is time to turn to the other side, and to consider the Greek religion as it appeared to contemporary critics. For critics there were, and sceptics, or rather, to put it more exactly, there was a critical age succeeding an age of faith. As we trace, however imperfectly, the development of the Greek mind, we can observe their intellect and their moral sense expanding beyond the limits of their creed. Either as sympathetic, though candid, friends, or as avowed enemies, they bring to light its contradictions and defects; and as a result of the process one of two things happens. Either the ancient conception of the gods is transformed in the direction of monotheism, or it is altogether swept away, and a new system of the world built up, on the basis of natural science or of philosophy. These tendencies of thought we must now endeavour to trace; for we should have formed but an imperfect idea of the scope of the religious consciousness of the Greeks if we confined ourselves to what we may call their orthodox faith. It is in their most critical thinkers, in Euripides and Plato, that the religious sense is most fully and keenly developed; and it is in the philosophy that supervened upon the popular creed, rather than in the popular creed itself, that we shall find the highest and most spiritual reaches of their thought. And even apart from this internal evolution, from this subversion of its ideal basis, the harmony established by the Greek religion was at the best but partial and incomplete. It was a harmony for life, but not for death. The more completely the Greek felt himself to be at home in the world, the more happily and freely he abandoned himself to the exercise of his powers, the more intensely and vividly he lived in action and in passion, the more alien, bitter, and incomprehensible did he find the phenomena of age and death. On this problem, so far as we can judge, he received from his religion but little light, and still less consolation. The music of his brief life closed with a discord unresolved; and even before reason had brought her criticism to bear upon his creed, its deficiency was forced upon him by his feeling.

Now, I saw, upon a time, when he was walking in the fields, that he was (as he was wont) reading in his book, and greatly distressed in his mind; and, as he read, he burst out, as he had done before, crying, 'What shall I do to be saved?' I looked then, and saw a man named Evangelist coming to him, and asked, 'Wherefore dost thou cry?' An added dimension of beauty is the reader's art. Besides his informative introduction to the author, his reading is amazing. I think he must have a thorough understanding of the book and intensive training in theatre acting. The ceremonies open with a scene of abandoned jollity; servants and slaves are invited to share in the universal revel; the school holidays begin; and all the place is alive with the bustle and fun of a great fair. Bargaining, peep-shows, conjuring, and the like fill up the hours of the day; and towards evening the holiday-makers assemble garlanded and crowned in preparation for the great procession. The procession takes place by torch-light; the statue of Dionysus leads the way, and the revellers follow and swarm about him, in carriages or on foot, costumed as Hours or Nymphs or Bacchae in the train of the god of wine. The destination is the temple of the god and there sacrifice is performed with the usual accompaniment of song and dance; the whole closing with a banquet and a drinking contest, similar to those in vogue among the German students. Aristophanes has described the scene for us— Such, so far as our brief and imperfect records enable us to trace it, was the ritual of a typical Greek festival. With the many questions that might be raised as to its origin and development we need not concern ourselves at present; what we have to note is the broad fact, characteristic of the genius of the Greeks, that they have taken the natural emotions excited by the birth of spring, and by connecting them with the worship of Dionysus have given them expression and form; so that what in its origin was a mere burst of primitive animal spirits is transmuted into a complex and beautiful work of art, the secret springs and fountains of physical life flowing into the forms of a spiritual symbol. It is this that is the real meaning of all ceremonial, and this that the Greeks better than any other people understood. Their religion, one may almost say, consisted in ritual; and to attempt to divide the inner from the outer would be to falsify from the beginning its distinctive character.