All the Best

Product Information

Carr, Roy; Tyler, Tony (1978). The Beatles: An Illustrated Record. London: Trewin Copplestone Publishing. ISBN 0-450-04170-0. Swedish Charts 1969–1972 (in PDF-files)" (PDF) (in Swedish). Hitsallertijden. Archived (PDF) from the original on 14 October 2012 . Retrieved 8 May 2013. I nearly had a breakdown. I suppose the hurt of it all, and the disappointment, and the sorrow of losing this great band, these great friends... I was going crazy. [13] MacDonald, Ian (1998). Revolution in the Head: The Beatles' Records and the Sixties. London: Pimlico. ISBN 0-7126-6697-4. Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959–2002 (1sted.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.

Pretty overrated, probably the most overrated he's released. People call this as one of his masterpieces, a Wings high point and, sadly, I can see why. 'Silly Love Songs' and 'Let 'Em In', the latter not one of my favorites, are why. Two accessible, easy to remember anthemic songs. I have to be fair here though, it is still a pretty good album. Silly Love Songs is a highlight, as well as 'Warm and Beautiful' and 'She's My Baby'. This album is also notable for having a song composed and sung by EVERY current member of the band. That includes Linda. Her song isn't terrible at all, but it doesn't fit on here at all. Jimmy McCoulough's song is the best of the Wings's contributions, as well as the drummer's surprisingly emotional 'Must Do Something About It'. It is good overall, but there is a lot I'd recommend over it. Notwithstanding its author credit, this authorised view of its subject’s 1960s is so heavy on quotations and personal insights that it’s almost a work of autobiography. Strong on his songwriting and central place in London’s counterculture, as well as the Beatles’ split. Pairing two quintessentially British pop icons together, Sir Paul and beloved fictional spy James Bond, "Live and Let Die" was not just a smash hit that reached the top slot on two of the three major U.S. charts at the time, but was also the first James Bond theme to garner an Oscar nomination (it was also nominated for a Grammy in 1974).Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. ISBN 0-7119-8308-9. Oricon Album Chart Book: Complete Edition 1970–2005. Roppongi, Tokyo: Oricon Entertainment. 2006. ISBN 4-87131-077-9.

Maybe John was right. Maybe the Beatles were crap. The sooner I get this album out and get it over with the better. [62]Doggett, Peter (2011). You Never Give Me Your Money: The Beatles After the Breakup. New York, NY: It Books. ISBN 978-0-06-177418-8. There are makeweights, for sure: Eat at Home, Smile Away, 3 Legs. But when the music coheres, you can hear the same boundless sensibilities that defined the long medley on Abbey Road, and a talent who could make magic out of the most unlikely ingredients. The three albums to listen to next Larkin, Colin (2006). The Encyclopedia of Popular Music (4th edn) . New York, NY: Oxford University Press. ISBN 0-19-531373-9. Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975. New York, NY: Ballantine Books. ISBN 0-345-25680-8. Spizer, Bruce (2005). The Beatles Solo on Apple Records. New Orleans, LA: 498 Productions. ISBN 0-9662649-5-9.

Hertsgaard, Mark (1996). A Day in the Life: The Music and Artistry of the Beatles. London: Pan Books. ISBN 0-330-33891-9. The work of a consummate music writer, full of a sense of how downright odd this period could be: drug busts in Sweden and Japan, the famous tour when the nascent Wings turned up unannounced at student unions, you name it. a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6. Wenner, Jann S. (14 May 1970). "The Beatles: One Guy Standing There, Shouting 'I'm Leaving' ". Rolling Stone. Archived from the original on 5 April 2015 . Retrieved 20 March 2015.A very experimental album, but a half-decent one at that. Some of the stuff is the same sort of stuff you'd expect - ballads and general pop songs. However, there are some very odd instrumentals on here, both of which are a bit naff to be honest. The only experimental song that actually works extremely well is 'Temporary Secretary', which probably ranks as one of the earliest electronic songs probably in existence (another oddity is the bonus disc which is called 'Bogey Wobble', which is probably the first Dubstep song). Thankfully despite the unlikable stuff on here, this is fairly well-rounded, and we're at last coming into mostly positive descriptions of his albums! Badman, Keith (2001). The Beatles Diary Volume 2: After the Break-Up 1970–2001. London: Omnibus Press. ISBN 978-0-7119-8307-6.